Transcribed by Nan
Chad 35:15
Right. Okay. We also talked about developing film, and Dektol and all that. So that’s an interesting metaphor. So…
iON 35:26
You know… see, not everybody knows, not everybody knew or knows what Dektol is, but you happened to. How is that?
Chad 35:36
From an experience on a field trip back in high school. Yeah.
iON 35:41
Correct.
Chad 35:42
We developed film in that solution, chemical solution. I didn’t know…
iON 35:47
That’s black and white. You have to do black and white. It’s black and white photography.
Chad 35:52
For black and white. Yes, that’s what it was, black and white. Exactly. So, I looked into how film gets exposed, though, when it’s in the camera. And it turns out that the pockets of neutral charged metallic silver ions get created when the light hits that emulsion field in the film. So that made me wonder, is that also how the frequencies in the cloud got stored in the cloud?
iON 36:19
It’s why you can’t have Kodachrome film anymore; they had to take that away.
Chad 36:29
I thought they just took that away ’cause no one was buying it.
iON 36:33
No. No, no, no. They still would today. There’s still people who develop their own film. Beautiful color.
Chad 36:44
So why would they, why would they take that away, though? What is it about?
iON 36:48
They had to. They had to. It makes the point. It shows what B2 is.
Chad 36:56
Oh, is that like in “Stranger Things,” where Jonathan is developing the film, and he sees the monster once it’s developed, —
iON 37:02
Yep.
Chad 37:02
—and he didn’t see it before. Oh, so you can see things.
iON 37:07
Yep. Mm-hm. ‘Cause even in color photography you have negatives.
Chad 37:12
Right. Okay, so is this what you mean by aperture science? That’s the Tech Body trying to control our aperture.
iON 37:19
But of course.
Chad 37:19
Okay, okay.
iON 37:20
But of course. But of course.
Chad 37:22
Got it.
iON 37:22
And that’s, and then that’s also judged by the aperture, and it’s also done by the F-stop, ’cause you decide what kind of film you’re reserving on your negative, on your film, regardless of the kind it is.
Chad 37:41
Okay, yes.
iON 37:41
And look what got obfuscated. Look what got obfuscated. What got obfuscated at this point was a very significant position so that the Tech Body took it over, and now you have nothing to develop. There is no develop. You can’t… you’re gonna have a hard time finding a blackroom, a darkroom, to be able to even get it out; to even be able to produce it. Or you have to learn how to take the film, unroll it, and open up the camera and take the film out without exposing it. You have to open the canister and do it completely in the dark and then get it in this little spinner. Then you can start the developing process. Then you can turn on the red light. The red light, which gives you a different kind of a position; it doesn’t effect the film once it’s been basically dressed or washed; it sets the negative. And then you do the developing. You decide how much you’re gonna get, meaning, you’re gonna decide how much you’re gonna have. Or you’re gonna see how much light you’re gonna use, depending on the F-stop, to make it come out the way you want it.
Chad 38:56
Okay. And how do we choose our F-stop?
iON 39:01
You flip the little button on the side of the camera.
Chad 39:05
Okay, that’s just easy talk. We’re just talking about the camera there, but I mean in general, going through… through life.
iON 39:16
The eyes are the window to the soul.
Chad 39:21
So, we decide how much light gets in.
iON 39:26
Well, what are your eyes, if they’re not the lens that’s captured?
Chad 39:34
Okay. Okay. So, another detail…
iON 39:37
So now what’s happenin’, so now what’s happenin’ is it doesn’t happen that way now. You can’t believe anything now. You know why? Because now you’re in a position where the Tech Body lets you see what you can see; it decides what you see. ‘Cause now you see somethin’ with your very eyes, even your own eyes, and you go, “No, that’s GCI.” CGI. ABC. And Bert says, “Hell no, it ain’t… I saw it with my own goddamn eyes. I didn’t do nothin’. Okay, yeah, I did take a snap of it, but that don’t make any difference. I saw it with my own eyes.” We go, uh-huh. You see, they’re making it in such a way where you can’t believe anything. And then somebody makes it up, makes this up, and they’ll all of a sudden recreate John F Kennedy where we’ll go, “What if John F Kennedy is?” Okay, so they make a big deal to make him computer generated so that when they find him, it’ll be, “Oh, that was just computer generated, everybody knows that.” Right?
Chad 40:39
Right. So, the Tech Body is taking control of the senses. Okay.
iON 40:47
Not taking. Not taking. Not taking control.
Chad 40:55
Taken.
iON 40:55
We would say it’s probably past tense, ’cause now nobody believes anything. Right?
Chad 41:03
Right. They don’t know what they know. They don’t know if they [inaudible]. Okay. So back to the film. In the exposure, an electron gets knocked off the negative charged bromide ion, which settles into a defect in the crystal lattice. That sounded very familiar. Is that like how the information is stored in the nitrogen gaps in the diamonds?
iON 41:27
Agreed.
Chad 41:35
And then with the way that the Dektol converts a latent image to a visible image, that seems to parallel with how one access — sorry, does that parallel with how one accesses the knowing in the cloud?
iON 41:51
Yes.
Chad 41:51
Okay. And in the context of what you explained on “What Youth?” with the Dektol and the negative spectrum light, is that negative, positive, photo process like matter and antimatter?
iON 42:10
No, but it figures… it calculates the same way.
Chad 42:16
Okay, it calculates the same way. Therefore, I could use that to draw on known values for triangulation, right?
iON 42:23
Well, you should be already.
Chad 42:28
[chuckles] Okay. So, in this context, would you call…
iON 42:29
Well, that wasn’t, that wasn’t shitty. We didn’t mean… if that was shitty, we didn’t mean it shitty. True, but we didn’t mean it shitty.
Chad 42:38
Okay, so would you say that the film takes the place of the tangent?
iON 42:45
No, the film is the medium —
Chad 42:50
Between the tangent?
iON 42:50
—of what’s captured. It’s what’s captured. That’s how you’re, that’s what you’re calculating, isn’t it? You have gold, and you have gold at a certain price, and you’re tryin’ to find what gold’s gonna be — fill in the blank. You gotta have the gold, and you have the aspect, and then you have to have the ratio to see what it’s gonna be. To be. What A is to B.
Chad 43:12
Ah, okay. So, it’s the medium that I draw my values from; known values. Right. Okay. In a private session back in November 2011, you told me “create a polarized position so the bits can have some capacitation to get into the diamonds.” What about photo polarization filters in this case? Could they be like the autotune in the context of the cloud?
iON 43:36
You can try it. You can try it, –
Chad 43:38
Okay.
iON 43:39
- but you better, you better… Alissa would say you better tune it to the pentatonic scale, or tune it… tune it to the pentatonic scale.
Chad 43:55
Okay, so tune the polarization filters to the pentatonic. All right. And then back in October last year, you said, “diamond catches radiation from the black hole, but it’s of no use.” And then Carolyn got on and got you to say, “But that radiation can be made useful to provide light for the mystery ground.” Is this similar to the example you used on “What Youth?” of using negative spectrum light to see what we can see?
iON 44:21
It’s also why, it’s also why Diamond had to die.
Chad 44:27
Okay. On the chart?
iON 44:28
No, on Diamond and Silk. Same thing.
Chad 44:32
Yeah.
iON 44:33
That Diamond’s more powerful.
Chad 44:35
Okay.
iON 44:35
Right. From that, Silk was always the behind the scene, “Yeah! That’s right! All right, then! Yeah!” Now she’s havin’ to become eloquent and speak; that’s Silk. That applies to the chart from the Silk Road Initiative. So that Diamond and Silk, Diamond had to die, and it’s more powerful now. Now we’re on the Silk Road.
Chad 45:05
Okay. So, the diamond…
iON 45:09
What y’all put people through, and what y’all put people through to have to get to verify Bob’s chart is just dirty and wrong. It’s ridiculous and should not be embraced in any case, but Bob’s runnin’ it, so run it, Bob.
Chad 45:26
Okay. So, you also said the diamond emits more radiation than the Sun, but it’s a form of stable radiation. What type of radiation does the diamond emit?
iON 45:38
Pure. Pure radiation.
Chad 45:44
Does it fit into any of the existing categories of radiation, like gamma radiation?
iON 45:49
Not that you know.
Chad 45:52
Okay. So, the cloud, is this diamond-structured carbon gas or something? Because it’s not a… it sounds like something we can walk in. Is it a plasma?
iON 46:08
You’re, you’re, you’re. You’re, you’re kerplunking. You know what kerplunking is?
Chad 46:17
[laughs] Yeah, like dropping a stone into the water.
iON 46:18
Yeah, you’re kerplunking, so do some’um different ‘cause you’re not gonna be happy with that. Sloppy! Sloppy. Get a topic. Let’s go.
Chad 46:28
Okay, you said that the neutrino is a size, and quark is an experience. So, are quarks the essence of what is stored in the cloud?
iON 46:38
That’s how you retrieve it. It’s how you retrieve it. That’s how you gain… you don’t have to think. You see, you had to learn stuff. Now you don’t have to know anything. Look at the kids today; they don’t know anything. They’re not being taught anything. They don’t even know how to read. They certainly don’t know how to add. But don’t matter. What do they need it for? “OMG, what’s the BFD? C’on my nigga, let’s go.” So, they don’t gotta do anything.
Chad 47:03
Okay.
iON 47:03
So, you have to have some way to access that knowledge. And the example of that is, “Oh, I got a Googler. Oh, I got it all worked out. I got me a Googler. I can Google.” And now, goddamn it, you find out that Google lets you know what you can know. What? Now you find out that Google lets you know what you can know. What? What are you talkin’ about? How did Google do that? They have algorithms. Well, now the algorithms have algorithms. And now what happens is, guess what? If they don’t want you to find out about Hunter Biden’s laptop problems, all of a sudden, that search is not available, “try again.” Or it’s on search page 4,327. You can go through that many pages to find out about the Hunter Biden motif. Right?
Chad 47:57
Right. So, with regard to algorithms, you keep saying that no one knows how Alexa works. So how does it work? Or am I supposed to show my work of how Alexa works?
iON 48:10
Yeah. Yeah, you don’t understand that, and you also don’t know how Alexa works either, so good for you.
Chad 48:18
Okay, how does Alexa work?
iON 48:23
Hmm, just the way the Tech Body wants it to.
Chad 48:30
Okay, so it’s just… the answer is just that the Tech Body is driving it, however they’re doing it.
iON 48:36
We’ll tell you, No, we won’t. [laughs] We’ll let you know. Just Google it. That’s all you gotta do. Chad, just Google it. Just Google it. You got this. It’s no problem. Oh, we know. Check Wikipedia. [chuckles] Mr. — what is it? – Bankman. Mr. Bankman, did his own glowing review of himself in Wikipedia, and he went up the food chain right out of, right out of the chute. They checked him out. “Oh yeah, he’s a great big deal. He’s got billions of dollars and la, la, la, la, la.” [laughs] It’s too funny. He’s a goofball.
Chad 49:13
[chuckles] Yeah. I saw that TikTok…
iON 49:16
He’s sillier than Bob. He looks sillier, he’s sillier than Bob.
Chad 49:18
Yeah, before he got caught, somebody sent me a TikTok, and it showed that he was the most benevolent man on the planet and all that kinda shit, and I just knew that guy is finished. Okay, how much ohmerage…
iON 49:32
Yeah, if that’s true and you’re that benevolent, you shouldn’t have to tell me, I should know it. If you’re that benevolent. I should know it. You shouldn’t have to tell me how pretty you are, I should notice your beauty in my gaze.
Chad 49:44
Yeah. So, iON, how much ohmerage must the meatsack have in order to handle cloud access?
iON 49:55
A lot more than you have right now is the way to say that.
Chad 50:05
Okay, so do the monoliths reduce that requirement?
iON 50:09
No, they don’t reduce the requirement, but they do “up” the impressionable, sometimes tactility, or a tactile interface that allows you to swim through the mess, sort out the mess. See, knowing isn’t the problem. Sorting is the problem.
Chad 50:26
Right.
iON 50:29
Okay, computer, I wanna see, I wanna see porn. And they say, okay, and then they show you every bit of porn that’s ever been made, ever, ever, ever, all of it at one time. Huh! You’re like, “Eww!” You feel like you wanna go take a bath ’cause it’s like, “That’s disgusting” Like, duh. You see the rub? The sorter is how y’all figure it out. Otherwise, it just becomes noise. And that’s what you’re seeing now in the world is noise, but every… some people are gaining from that. Some people don’t have to do nothin, and they got Lamborghinis, and they got all kind of shit. And everybody else is starvin’ to death. Everybody else is robbin’ banks to buy a dozen eggs so they can make half an omelet. See the problem?
Chad 51:17
Yeah, I see it. So, triangulating in reverse to find out how A is would be the way to sort through that? Is that correct?
iON 51:31
Sounds intriguing.
Chad 51:34
Okay, so I looked a little bit into Solomon’s temple and 1 Kings.
iON 51:41
Oh, good.
Chad 51:42
And I wondered, I wanna ask you why were no nails or iron tools used in the temple or allowed there?
iON 51:53
Because the power that Solomon used to lift these things and to raise these things and to set these stones, any iron would have decimated it. It would have been like, it would be like, it’d be like wearing your cufflinks into an MRI; it would not go good.
Chad 52:14
I see. So, the temple, where is the temple?
iON 52:21
Same thing is true, same thing is true in the pyramid.
Chad 52:28
Okay, and is that done using this, like, cantilever thing with the C’s, the Grecian key that you’ve talked about?
iON 52:38
Yeah, a form of it. Form of it. We never were completely clean about that, just ’cause we don’t have to be. You know.
Chad 52:45
Sure.
iON 52:45
‘Cause you got these other people. Some people are listenin’, just tryin’ to see how they can figure it out, how they can hold Bob and make them, make Bob give him $11 or $20 or $50 or some’um crazy. [Chad chuckles] I mean it’s kinda like, oh, he doesn’t care me. I mean, but then he, then he sets off “The Prince of Tides” to have ’em eviscerated ’cause they owe him $11.25 when all they had to do was leave it alone and they wouldn’t have had no trouble. But that’s not how people play it. They play it a different way, you see.
Chad 53:12
I see. Where’s the temple, relative to Bob’s face being in the Sun, and the keyhole and all that?
iON 53:23
Bob’s nose lines up with it.
Chad 53:29
Okay.
iON 53:29
Because what… No, what direc… look this up. What direction is the Sphinx nose pointed in exactly?
Chad 53:43
East. Eastern Gate.
iON 53:48
Look it up.
Chad 53:51
Okay, from west to east towards the rising Sun.
iON 54:02
And the three pyramids of Giza are set up in what direction behind the Sphinx?
Chad 54:14
In what direction? They’re kinda like, over its…
iON 54:22
No kinda like. Kinda like. No, no, no, no. Exactly. Come on now, you gotta be precise. Okay, well, this is kinda how you Ascend, Chad, so if you wanna know, maybe think about it. We’ll, if you thought about it, maybe we might be a little bit like this. Ascension is a little bit like this. You don’t want that from us.
Chad 54:41
So, the Great Pyramid is oriented like over the left shoulder of it.
iON 54:49
Ah-huh.
Chad 54:49
The second pyramid is directly behind, and the third pyramid is behind, but a little bit to the right.
iON 54:57
Good. So, you have three and one. And they line up specifically in a specific coefficient that gives you some information. Remember? Like the details around the big pyramid gives you exactly how far it is to Andromeda, the point and the direction of the eastern sky. La, la, la, la, la. Bert can make you tired of listenin’ to all that stuff, but it’s the case. It’s tellin’ you some’um. It’s in the past, tryin’ to tell you about the future.
Chad 55:30
Yeah, you discussed… yeah, that December 2019, recording with Bert where you laid all that out. So, I’ll go and check that out. But those three pyramids are aligned across the bias as I see them. Like they’re kinda like the pyramid cut in half becomes a line that goes from the Great Pyramid to the second pyramid to the third pyramid. So they’re all biased.
iON 55:53
So do your positions of Ascension as well.
Chad 56:00
You mean the mind, body and spirit?
iON 56:03
That’s another example of the Triune God.
Chad 56:08
Okay. And they’re progressing from the Great Pyramid.
iON 56:13
(indistinct)
Chad 56:13
Yep. Their downward progression in size from the Great Pyramid to the second to the third.
iON 56:18
To the Great, to the Great Commission. As it was and always will be. It always… it already was, we’re just tryin’ to convince y’all.
