Egyptian Book of the Dead Transcript, 26 October 2019

Payday

Transcribed by Nan

1900

Carolyn 0:01
So, yeah, people want to grab this. It’s called Papyrus of Ani, Egyptian Book of the Dead, and it has the actual words of the Egyptian Book of the Dead and –

iON 0:16
Well, a version of those words, but a pretty good one.

Carolyn 0:20
Yeah, and it’s like the hieroglyphics or pictograms of the Egyptians. They, they, –

iON 0:27
I like that. Oh, pictograms. I like pictograms. That’s a good word. That’s not – I like that.

Carolyn 0:32
Right. And the archaeologists and linguists, as far as I can tell, they took all these hieroglyphs and pictograms and created a dictionary of them. And then eventually they were able to translate Egyptian hieroglyphs, and supposedly, this is a translation of hiroglyphs. So, who knows what the – what got lost in the translation. And that’s why we’re talking to iON about it; so we can find out what they missed. Correct iON?

iON 1:07
Do.

Carolyn 1:06
Do. Okay. So, Bob stepped into the kitchen and I’ll try not to be distracted by –

iON 1:15
Muted himself.

Carolyn 1:17
Yeah. Usually, though –

iON 1:19
(muttering, indistinct)

Carolyn 1:20
Try not to make so much noise, Bob while you’re eating –

iON 1:22
Vast quantities – wash them hands! Wash them hands!

Carolyn 1:26
– quietly. Ah ha. So –

iON 1:28
Ha ha ha ha ha.

Carolyn 1:32
HYMN TO OSIRIS UN-NEFER. So, right away –

iON 1:40
Un-Nefer. Un-Nefer. {Note: pronounced more like "oo"}

Carolyn 1:40
Oh.

iON 1:40
It’s Un-Nefer.

Carolyn 1:39
It’s Un-N-e-f-e-r. And why is it –

iON 1:43
Yeah, but they don’t know how to speak.

Carolyn 1:47
Yeah.

iON 1:47
Oh, that’s the access, the guide. They divide the gods in, like, kingdoms. So, you have Osiris which obviously is a God, but Un-Nefer is the one that’s in Abtu. We’ll show you as it breaks down because they do these different hymns to the different ones. But when we actually get to that, actually get to the Book of the Dead – but you’re not to it yet – we actually start the Book of the Dead, it’ll apply because it tells you how to interact with these people.

Carolyn 2:20
Hmm. Now what are we doing now if we’re not in the Book of the Dead?

iON 2:26
Oh, these are just the hymns to the major and minor gods, sortin’ out who they are and what they do.

Carolyn 2:32
Huh. Huh.

iON 2:34
It starts here in a minute. Because the Book of the Dead is supposed to tell you how to operate, how to stop blood and start blood, move things, and bless people, and bless people out. It’s always better to be blessed then blessed out, isn’t it Carolyn?

Carolyn 2:49
Yeah, blessed out. Don’t be blessed out. Ah ha. Okay, so, and once again, who or what is Un-Nefer?

iON 3:00
Oh, the God, Osiris, that lives in Abtu.

Carolyn 3:07
Hmm. So, Un-Nefer is another name for Osiris.

iON 3:13
Ah, no, it’s another version. It’s Osiris from that different realm or land. It’s kind of like Elizabeth. Which Elizabeth is it? There’s about 100 of them. It tell which Elizabeth it is. Un-Nefer would be Elizabeth II.

Carolyn 3:33
Okay, so –

iON 3:34
It’s another one from Nut.

Carolyn 3:35
Another one from Nut. Is Nut a different realm?

iON 3:44
No, remember mama Nut? We went through that. Remember?

Carolyn 3:48
No, I guess not. Ha ha.

iON 3:51
Yes. Last week we talked about mama Nut.

Carolyn 3:54
Yeah.

iON 3:55
My mama Nut. This is another one of those bitch babies of mama Nut.

Carolyn 4:02
Yeah. Yeah.

iON 4:04
Okay, go ahead.

Carolyn 4:05
"A Hymn of Praise to Osiris Un-Nefer," So yeah, they put it together there. Comma, "the great god who dwelleth in Abtu," A-b-t-u. Is Abtu another realm?

iON 4:27
Yes. It’s where he’s from.

Carolyn 4:31
Where he’s from. Mm hm. Continuing: "the king of eternity, the lord of everlastingness," and those are not capitalized.

iON 4:46
Right.

Carolyn 4:46
"who traverseth millions of years in his existence." Now, that’s amazing. So they’re, they’re draging time into it.

iON 4:57
Well, this is a little – this is a little – well, they’re, they’re trying to mark what time is. And that’s a misnomer because the Egyptians never did that, except for the scores of the order. And now we have more pharaohs than there was time for there to be pharaohs. So, that’s why you started this millions of years in existence is a bit of a misnomer. It’s not quite like that. It’s like spans of beyond. We say like that, then that’s not really like time, but an eon is a time, you see? So, it’s just a breaking of the damn Gutenberg problem, but we’ll leave it as the words flow. It is interesting that it’s cast as millions of years.

Carolyn 5:41
Right. Is it like that TV guy – Bob will remember the name of the guy who talked about billions and billions of stars?

iON 5:51
Yeah, yeah, yeah.

Carolyn 5:55
Sagan. Carl Sagan, Bob yelled out.

iON 5:58
Carl Sagan, yeah.

Carolyn 5:59
So, yeah, it’s an embellishment.

iON 6:03
Yeah. It is.

Carolyn 6:03
Embellishment. Okay, continuing: "Thou art the eldest son of the womb of Nut." So, there’s mother Nut. "Thou was begotten by Keb, the Erpat."

iON 6:17
Erpat. Mm hmm.

Carolyn 6:22
Okay, so, it’s implying that mother Nut cohabited with Keb.

iON 6:29
Got around.

Carolyn 6:31
She got around. Right.

iON 6:32
Yeah, she got around. Yeah.

Carolyn 6:34
Who’s Keb, the Erpat?

iON 6:36
Ah – that was just dad – he was a baby daddy.

Carolyn 6:42
Baby daddy, okay. And continuing: "Thou art the lord of the Urrt Crown." U-r-r-t. And so, what’s Urrt?

iON 7:03
Well, no, see, he wasn’t the husband of Nut. He was the lord of Urrt Crown.

Carolyn 7:10
Mm hmm.

iON 7:14
Which they (indistinct).

Carolyn 7:16
He had a different – he had more of a designation than just being a husband of Nut.

iON 7:27
Ah, yes, but he wasn’t a baby daddy, but he was the father. There you go. You’ll get it here in just a minute.

Carolyn 7:36
Okay.

iON 7:38
Well, it’s like stepdaddy. He’d be the stepdaddy. He’d be the stepdaddy or a bastard baby. It would be the King’s bastard heir. You know, Charles had several of those, didn’t he?

Bob 7:52
So, so, who’s the heir? Horus?

iON 7:56
No, no. Urrt Crown is the King or the wife of Nut. But, "begotten by Keb, the Erpat," is who the daddy, baby daddy of Osiris Un-Nefer is. That’s the different realm part that we were talking about. He was a stepchild or a bastard child.

Bob 8:18
Who? Osiris was?

iON 8:21
Yeah.

Bob 8:22
And you said wife of Nut. That’s the – is a female.

iON 8:26
Urrt Crown is the, is the husband of Nut. But Osiris Un-Nefer was –

Bob 8:37
(indisdinct) – wife

iON 8:37
"Thou art the lord of the Urrt Crown."

Carolyn 8:42
Right. And he’s the stepdaddy of Osiris.

iON 8:48
That’s his father. That’s his father.

Bob 8:47
No. No Horus in this equation.

iON 8:55
Not yet. You ain’t (indistinct) Horus yet.

Bob 8:57
Okay. Osiris is a stepkid in another realm.

iON 9:07
Ah, a bastard baby of Nut.

Bob 9:11
In another realm? That’s your point?

iON 9:13
Now from a – from Abtu.

Bob 9:17
From Act Two.

iON 9:20
A-b-t-u, Abtu.

Carolyn 9:21
Abtu. Is this important? I sense, seems rather convoluted.

iON 9:28
No.

Bob 9:29
No, but there’s other realms. Somebody – they’re acknowledging someone having more than one self. That’s pretty good.

Carolyn 9:37
Mm-hmm.

iON 9:38
And, we want to place it like from the upper region, you see. We don’t want to make it as a delineation exactly but, go ahead.

Bob 9:48
You mean the other self is from – is the upper regions of a self?

iON 9:53
Well, we’re saying it’s the only self. Osiris Un-Nefer is the only one that is. It’s just not from where Nut is. She was a knockabout and her daddy was a travelling salesman.

Bob 10:07
So, the Osiris of Nut is not worth remembering?

iON 10:12
Yes. Gonna become very important later. This is a hymn to him.

Bob 10:19
So, is the, the Osiris of the upper realms – that’s like Ophenel in relation to me?

iON 10:25
Ah, you’re older, but you’re gonna get to the, to the White Crown soon, and that’ll help you.

Bob 10:33
Yeah, but I’m saying Ophenel in relation to Bob Neveritt. Is the Ophenels from the upper regions like this Osiris is?

iON 10:40
Yeah. Well, no, you don’t do regions. You don’t do regions.

Bob 10:42
Oh, okay.

iON 10:42
You’re (indistinct) thing. You’re the zeitgeist. Yeah.

Bob 10:44
Okay. Thank you.

iON 10:47
Yeah, you’re the –

Bob 10:49
I’m the environment.

Carolyn 10:50
It takes awhile for Bob to get in there.

iON 10:51
Yeah, you’re the Texaco (indistinct).

Bob 10:54
Yeah, the bacteria. I’m the bacteria.

iON 10:56
Yeah, he had to wash his hands. He had to wash his hands.

Carolyn 11:01
We got, you know, five minutes out of it. Okay, continuing: "Thou art he whose White Crown is lofty." Are we talking about Urrt here, Urrt Crown?

iON 11:16
No. Yes. Yes. The reference. Yeah, he’s in charge.

Carolyn 11:20
Because the crown is lofty. "Thou art the King (Ati) (Carolyn: A-t-i) of gods (Carolyn: small "g") {and} men." (Carolyn: small "m") So, the King of the little man. "Thou hast gained possession of the sceptre of rule, and the whip, and the rank and dignity of thy divine fathers." No capitals.

iON 11:47
See how those – basically he’s borrowed into this thing and he’s got some – a little money check, and he got a little somethin’, somethin’ going on, and that’s what’s happening. No problem, but that’s just what’s taking place.

Carolyn 12:01
So, now we’ll get to some contrast, probably.

iON 12:05
Likely.

Carolyn 12:06
Exciting. Continuing –

iON 12:08
But, notice now that he’s got the sceptre. Remember, he’s got the sceptre. If you can see the Queen with her sceptre and her orb and her snaggletooth fur with the talons in the fur; you know, the, the fancy fable stuff, all the regalia, the full regalia, that’s what this is making reference to with the whip and all the details.

Carolyn 12:39
Yeah, yeah, the accoutrements of –

iON 12:43
Accoutrements.

Carolyn 12:44
– power and –

iON 12:47
A deity. A deity.

Carolyn 12:49
Ah, yeah. Okay. Is that Urrt’s heart or the little man? "Thy heart is expanded with joy,"

iON 13:05
No, is you’re making reference, making reference of the difference between the two kingdoms. That’s the live part and the dead part. You’re singing this to me.

Carolyn 13:18
Yeah. Okay. Continuing: "O thou who art in the kingdom of the dead." All small caps – no caps. Okay. "O thou who art in the kingdom of the dead. Thy son Horus is firmly placed on thy throne. Thou hast ascended -"

iON 13:42
Yeah. See now, no wait now, wait, wait. Now, that the division. Now, Bob, Bob! Horus is in the house! Now, what this makes reference to – of another realm of the dead. The realm of the dead, Horus is in charge. So, you got all these Kings who think they run around with the regalia, the tip tap, top if off, give a dog a bone. Fine. Fine, that’s fine. That’s not the issue. What is the issue is that now you’re going to take it to Horus’ house. And when you take it to Horus’ house, now he’s firmly in the throne. On the throne. Good.

Carolyn 14:25
Ah, but it’s the throne of the dead. So how great – (indistinct) condition –

iON 14:30
Correct. Still another another realm. Just a – ah, well, depends. Now we’re negotiating. See, we don’t know that we haven’t developed that yet. But it’s just a different realm. That’s why we made a big to do about different region. If we could say dead is a region, okay, then you can go, oh, as opposed to the mountains or the valley or the midlands, midlands, but go ahead.

Carolyn 14:55
Another region, yeah. Got it. Continuing: "Thou hast ascended thy throne as the Lord of Tetu, and as the Heq (Carolyn: H-e-q) who dwelleth in Abydos."

iON 15:13
Abydos. Abydos.

Carolyn 15:16
A-b-y-d-o-s. So, thy hast ascended thy throne as a Lord, not as a god.

iON 15:25
Yeah, see the difference?

Carolyn 15:27
Yeah, yeah, yeah. So, you’re ascened there. And, Thou makest – continuing – thou makest the Two Lands. So, those are the two realms, right there. Continuing: "Thou makest the Two Lands to flourish through Truth-speaking," Now, this is the first capital, the "T" truth-speaking. "in the presence of him who is the Lord (Carolyn: capital L) to the Uttermost Limit." Both capitals. So, is this Lord equivalent to a god as a capital "L"?

iON 16:14
No, but, he’s not a god, but he’s a capital Lord. So, so you would – if you were using that – when you use those words is like, oh, okay, he’s ascending.

Carolyn 16:28
Yeah, I see.

iON 16:26
Okay. He’s got his power. He’s becoming. He’s not a god, but he’s doing real good.

Carolyn 16:33
Yeah, got it. Yeah, got it. Lord Bob.

iON 16:36
It’s kind of a glib, it’s kind of a glib, it’s kind of a glib way to lay it out. But, we have to be soft ‘cuz we don’t want to give away the pitch of the story too, you know.

Carolyn 16:46
Got it. Continuing: "Thou drawest on that which hath not yet come into being in thy name of "Ta-her-sta-nef." (Carolyn: quote, Ta-her-sta-nef. Ta-her-sta-nef.)

iON 16:59
sta-nef. Mm hmm. Ta-her-sta-nef.

Carolyn 17:05
Yeah. Ta-her-sta-nef. "Thou governest the Two Lands by Maat (Carolyn: capital "T" capital L by Maat, M-a-a-t) in thy name of "Seker." Thy power is wide-spread, thou art he whom the fear is great in thy name of "Usar" (or "Asar"). "

iON 17:31
Asar. Asar.

Carolyn 17:37
"Thy existence endureth for an infinite number of double henti periods in thy name of "Un-Nefer." So, that is, like you say, just discussing the Lord ascending, becoming and what and how you – he, who is ascending, is putting fear in little man because the word fear is there, correct?

iON 18:07
Yeah.

Carolyn 18:09
Okay. There’s always going to be fear. What’s going on with that? Geez.

iON 18:15
That’s all they, that’s all they respond to.

Carolyn 18:20
Mm hmm.

Bob 18:21
That’s what makes little man, Carolyn.

Carolyn 18:23
Yes, yes, yes. Yeah. Got it. I put Bob’s words down. They’re very important thoughts, words. Continuing –

Bob 18:36
You’re typing while doing this?

Carolyn 18:38
Mm hmm.

iON 18:39
Typing notes?

Carolyn 18:40
Yeah.

Bob 18:43
It’s amazing.

Carolyn 18:45
It helps me think.

Bob 18:43
It’s amazing, iON. Carolyn – it’s very good to have her reading this. And she will go through and evoke notes and meanings and then won’t remember it. I’m not even reading along. I’m not paying attention, but I’ll do the thinking about it based on the hearsay I absent mindedly pick up.

iON 19:01
And it’s good, and it’s good because –

Carolyn 19:02
Absent minded.

iON 19:04
You’re absent mindedly, you’re absent mindedly apprised.

Carolyn 19:10
Yeah, we’re, we’re such a team. Continuing: "Homage to thee, King of Kings, (Carolyn: two capital "Ks") and Lord of Lords, (Carolyn: two capital "Ls") and Prince of Princes. (Carolyn: two capital "Ps") Thou hast ruled the Two Lands (Carolyn: capitals) from the womb of the goddess Nut. Thou hast governed the Lands of Akert. Thy members are of silver-gold, thy head is of lapis-lazuli, and the crown of thy head is of turquoise."

iON 19:43
Lapis lazuli.

Carolyn 19:45
Yeah.

iON 19:47
That’s the blue stuff with the gold, with the gold in it. Lapis lazuli. Great.

Carolyn 19:52
Yeah, nice. "Thou art An (Carolyn: A-n) of millions of years." Now, I don’t know what that – Thou art An what does An stand for?

iON 20:03
An. The An is what they get the ankh from. The An. An.

Carolyn 20:10
Okay.

iON 20:12
It’s a, it’s a riff. It’s a riff off of – who did they "say I am." They asked me, "say I am." That would be An. Like that.

Carolyn 20:24
All right. Continuing: "Thy body is all pervading, O Beautiful Face (Carolyn: capital "B," capital "F") in Ta-tchesert." Say that again. TaIs that the same one? No, this is another one. Darn.

iON 20:44
It’s a different one. Right.

Carolyn 20:46
Who’s – yeah.

iON 20:49
Ta-tchesert. Ta-tchesert.

Carolyn 20:51
Ta-tchesert. Ta-tchesert. So who’s Ta-tchesert compared to the Ta-her-sta-nef?

iON 21:00
This is the underworld connector. As you see, they roam from realm to realm. Like, they roam from realm to realm like it’s just going from, to North Carolina or Alaska or here or there. But, that, see, it’s about realms and realms as it applies.

Carolyn 21:19
Right. Nice. Continuing: "Grant thou to me glory in heaven, and power upon earth, and truth-speaking (Carolyn: no capitals) in the Divine Underworld, (Carolyn: capitals). So, they’re implying there’s some ascending power in the Underworld, iON.

iON 21:38
You better know it. That’s where the Tech Body came from. That’s where the dead Bob came from. That’s where the dark soul lived. He don’t live there no more.

Carolyn 21:49
Wow. Hey, Bob –

iON 21:50
Now, we’re making words. We’re making words and connections here, but they don’t matter. Because as long as you’re ascending, then it becomes a non sequitur. But, if you mean, if you’re not going to ascend, you better learn this really closely because, yeah, there’s a quiz. There’s a quiz later.

Carolyn 22:12
Yeah. Yeah. And the quiz starts with well, you know, what are you doing if you’re not ascending?

iON 22:19
Correct.

Carolyn 22:20
What do you think you’re doing? Uh huh. Okay. Any questions here, Bob? Because they came out that the Tech Body comes from the Underworld.

iON 22:31
Mm hmm.

Bob 22:32
And in the next sentence – and the power to sail down the river to Tetu in the form of a living Ba-soul. Is Ba-soul me? Is that the dark soul?

iON 22:42
Ah, a reference of it, yeah.

Bob 22:45
Okay, but you haven’t got there. Right, Carolyn? You’re still doing Divine Underworld.

Carolyn 22:49
Yeah, but that’s the next sentence. Yeah. Continuing: "and {the power to} sail down the river to Tetu in the form of a living Ba-soul, and {the power to} sail up the river to Abydos in the form of a Benu bird, and {the power to} pass in through and to pass out from, without obstruction, the doors of the lords of the Tuat. Let there be -"

iON 23:23
Stop, stop, stop. Hold on one second. That’s pretty key. And it’s important because this is talkin’ about moving from realm to realm and world to world and what’s going on. This is that point. It’s just what we’ve been talking about all along. "Well what are you talkin’ about goin’ to another world? I can’t live in this world. I don’t even know how the world works and I’m supposed to have another world? And then I gotta learn them damn OA movements and the A-O-O-A somethin’ movements to get home when I’ve had too much to drink, too many Tequila Sunrises, and I can’t get home. And hittin’ them Alabama Slammers, and I’m back out of another world into another world and I got to watch Fringe to see if I can find out why Walter was trying to figure out – he lost his son and the whole mess. And that damn bitch running Global Dynamics. She knew everything. She knew, she knew everything. Then, and turn around, I got to know these different positions to figure out all this stuff NOW that they even lay out here in ancient Egypt?" Yeah, pretty much like that. Go ahead.

Bob 24:27
So, iON, these landscapes, different realms, it was quite different; the material, physical world back then.

iON 24:36
Uh uh. No, see, that’s the rub. It’s exactly now as it was exactly then.

Bob 24:45
(overtalk with iON)_____and people can go from world to world.

iON 24:50
Stop. Stop!

Bob 24:51
They go from world to world!

iON 24:53
The last time you went to Europe, and the next time you go to Europe, if there’s a Europe left, was different than the time before. Now, you say you’ve never been anywhere, but if you had been somewhere, then the last time would be different than the time before. It’s almost a different country. They say this is a different world. I don’t know this. It’s like, changed for shit. It’s like what California used to be. Now you don’t even want to drive by it.

Bob 25:24
So, well, and it’s also much the same. So, this is not like some animated, Disney, fluid, landscapes. This is normal landscape.

iON 25:35
Ahhh. So far, so far.

Bob 25:42
It’s not as fluid as you make it sound.

iON 25:44
It can be, but if it’s not, then it’s not at all. It becomes more rigid, rigid, rigid. We can’t even say it –

Bob 25:54
Rigid.

iON 25:54
– we can’t even say it. Yeah, we can’t –

Bob 25:56
Rigid.

iON 25:56
– even say it so we’re not goin’ –

Bob 25:57
You can say it.

iON 25:58
– to engage it. Nah, we’re not goin’ to say it. We don’t want –

Carolyn 26:02
Hey, look, look. Back, back, back. Focus, focus. Bob said: "So, it was quite different back then, iON." and iON said: "No, it’s exactly the same." And then you talked about your being different time to time. What, what is exactly the same iON?

iON 26:19
Shifts in space are the same then as they are now.

Bob 26:27
But, the technological clothing is different.

iON 26:33
Don’t know that. Don’t know that. They flew into ancient Egypt, and they fly into ancient Egypt now.

Bob 26:39
Yeah, but you said if I went to Europe it would be different.

iON 26:40
Carolyn flies, Carolyn flies, Carolyn flies and she’ll fly over and she’ll see the same – she’s done it many times now. She can fly over and all of a sudden she sees somethin’ that she’d never seen before. And she’s done it many times.

Carolyn 26:55
Okay.

Bob 26:56
Okay. That’s normal change to me. That’s not –

iON 27:00
Okay, but not to everybody. But, not to everybody.,

Carolyn 27:04
Right. But what is the same is the shifts and spaces, you said. So, the shifts from realm to realm and the spaces between molecules.

Bob 27:16
Would the spaces be trees and water, rivers and fields?

iON 27:23
No. It’s like when Carolyn came home and she went through the wrong gate, she might not have made it home at all.

Bob 27:29
Right.

iON 27:30
The home she made it to had to be reconnected to yours so you can find her. It ain’t that big an airport, Bob.

Bob 27:30
Yeah, but she, she was in the airport. It was the same place, we just couldn’t connect. But –

iON 27:43
That’s the point. No, no, it wasn’t "we just couldn’t connect." She didn’t come through, through the fifth gate like she’s supposed to. So, it had to be hooked up.

Bob 27:43
But it was the same place. It’s always the same airport.

iON 27:55
Okay. That’s exactly what we’re saying. It’s the same, but yet, it’s not. That’s right. There you go. That’s now. And that’s the way it was then, and what they’re describing then, as well. So, good.

Carolyn 28:02
Right. Okay? Continuing –

iON 28:14
Oh, we weren’t supposed to talk about that, we guess. But, we did anyway, so blame it on Bob.

Carolyn 28:20
Yep. Continuing: "Let there be given unto me bread-cakes in the House of Refreshing,"

iON 28:27
What?

Carolyn 28:28
Yes! Oh, we just got –

iON 28:30
Oh shit, bread cakes.

Carolyn 28:31
– our bread today. Thank you, J.W.

iON 28:34
Thank God, ‘cuz they were supposed to have been there under penalty of death on Wednesday.

Carolyn 28:40
Oh my god.

Bob 28:42
There was a note to Jimmy, so we’ll have to ask Jimmy on Monday if he noticed it.

Carolyn 28:47
Yeah.

iON 28:47
He better get it right. If we find that he’s messing it up – we put the LoJack on it. Don’t worry. We know how many crumbs was there.

Carolyn 28:56
Yeah, this is funny, guys, ‘cuz it’s bread-cakes. And it’s like the bread is cakey. There’s a cakeyness to it. Not crumbly.

iON 29:08
Yeah. Do. Do. Do.

Bob 29:11
We wish the same for you.

Carolyn 29:13
"Let there be given unto me bread-cakes in the House of Refreshing," "H" and "R" are capitalized, so this is ascending bread.

Bob 29:23
And House of Refreshing would be the living water?

iON 29:27
It would be. Now, and look at the sepulchre, the sepurial, of the sepulchral offerings. You see?

Bob 29:37
That’s like the Ark of the Covenant, Carolyn. That’s coffin stuff.

iON 29:41
Sorta. Sorta, sorta.

Bob 29:44
But it’s before the Jews, the Hebroys {sic}.

iON 29:47
(laughing) You leave the damn juice out of it. Leave the damn juice out of it, Bob. Ha ha ha ha.

Bob 29:55
Yes, but, but the sepulchral offerings, that’s not where the bread is like in the Ark of the Covenant.

iON 30:02
No, it’s not, but it’s represented there. There’s also bread of life here in this kingdom, and there’s people who haven’t ascended yet, either. What if we said this is heaven on earth? Oh wait, we have. But, what if we said this is also hell? Ho ho ho ho ho. Y’all created it. What if you’re in this living hell right here? Then what if, what if sin is just a – heaven is just a sin away? Remember the Kendalls? Remembr the Kendalls?

Bob 30:30
Yeah, The Kendalls, yeah. So, the sepulchral offerings are for the little people, Carolyn. They’re not capitalized: the cakes and ale.

Carolyn 30:38
Yeah, yeah. Okay, so, going back –

iON 30:40
That’s, that’s correct. Now, the ale refers to your Mind, Body, Spirit, too.

Carolyn 30:43
We haven’t even said those words yet, iON. Hang on. Let’s – you guys just jumped ahead. Bob?

iON 30:48
Oh, okay. We get ahead, get ahead of ourselves.

Carolyn 30:51
I know, but Bob –

Bob 30:51
We started to go Bob speed.

Carolyn 30:53
– bad influence here. Are you kidding?

Bob 30:56
Bob speed.

iON 30:56
At the speed, at the speed of the – we have Godsmack, now we have Bob’s speed. So, good.

Carolyn 31:02
Okay, going back and continuing –

iON 31:05
Godsmack was the song I played, Carolyn. I played Realign by Godsmack.

Carolyn 31:09
Let there be – yeah, I heard that. "Let there be given unto me bread-cakes in the House of Refreshing, and sepulchral offerings of cakes and ale, and propi –

iON 31:22
Propitiatory

Carolyn 31:24
Wow. "propitiatory offerings

iON 31:26
Yeah.

Carolyn 31:27
"in Anu, and a permanent

iON 31:29
Hey, isn’t that the stuff that takes you – isn’t that the stuff that takes the hair off of you? Ha ha ha ha.

Carolyn 31:34
Ha ha. "and a permanent homestead in Sekhet-Aaru, with wheat and barley – (Carolyn: well, we got the barley with the RNA Reset.) "with wheat and barley, therein- to the Double (Carolyn: capital "D") of the Osiris, the scribe Ani." So, talking about the two Osiris’s, right there. Boom.

Bob 32:01
Right, yeah.

iON 32:01
(overtalk, indistinct)

Bob 32:01
And the permanent homestead – the permanent homestead is the pictures J.W. is trying to get to me.

Carolyn 32:05
Ha ha.

iON 32:08
Yes. They are, they are. And those apply. And that goes right back to Zappa talkin’ about what the Tech Body is and how that connects. And that’s what this one, this one is (indistinct overtalk).

Bob 32:21
(overtalk) I didn’t finish the description. I didn’t finish the description.

Carolyn 32:24
Later, Bob. Do not interfere.

Bob 32:26
I can’t – no.

Carolyn 32:29
Continuing – well, what it is –

Bob 32:32
Sorry, we didn’t complete the description.

Carolyn 32:34
(iON, Bob and Carolyn laugh) Mute yourself, Bob. Go back in the kitchen.

iON 32:40
It was a, it was a hexadic moment. It should be pizza night, but there’s travel, so you may not have it.

Carolyn 32:46
Yeah, we did pizza, but, but I think Bob’s –

iON 32:49
Oh, okay.

Carolyn 32:50
– goin’ in after the bread.

Bob 32:50
I think I figured this out Carolyn. This is the Downton Abbey, and Carolyn tells me to go back into the basement ‘cuz I’m just one of the butlers. And Carolyn is that stodgy princess who (overtalk, indistinct) old daughter.

iON 33:05
One of the footmen. No, no. You’re a footman. You’re a footman.

Bob 33:08
Yeah. That’s right.

iON 33:05
You’re just, you’re not even a butler. You’re not Mr. – a butler runs this shit. No, you’re a footman. Get your – don’t be speaking like that.

Bob 33:16
Right. And this is the life Carolyn would have had if she hadn’t met me. She just a snooty aristocrat. You know what I mean? You ever seen the show, Carolyn?

Carolyn 33:21
Yeah, yeah, yeah.

Bob 33:22
You know, the main girl with the black hair who’s the main best daughter, the smart daughter. She runs everything, is much better, but she has a lousy lovelife. That’s you if you hadn’t met me, Carolyn.

iON 33:32
She keeps killing, she keeps killing her husbands.

Bob 33:36
Ha ha. Yeah, see? Okay, so this is the way Carolyn acts when she reads this.

Carolyn 33:41
Are you the footman who shot his hand off so he wouldn’t have to go to war?

Bob 33:46
I forgot about that.

iON 33:46
No, he was the gay. He was the gay one, he’s the gay one who took the shots tryin’ to pray the gay away. And then he couldn’t pray the gay away and then he became the butler when the other butler got the shakes. He got the palsy.

Bob 34:01
Oh, yeah, the gay guy. Yes. The mean butler. Is that what you mean, iON? That, that conniving, sneaky, butler who was trying to undermine everybody.

iON 34:11
Yeah. Yeah.

Carolyn 34:12
Okay. There’s a whole – now we go to the next section. So, we’re finished with one section. And this looks to be the actual book, THE CHAPTERS OF COMING FORTH BY DAY.

iON 34:22
Oh, no, thank God! Okay, now we get started. Okay, everybody. Here it begins. Now we gettin’ going. Coming Forth by Day. There we go. The Book of the Dead. Excellent.

Carolyn 34:25
Yes.

Bob 34:34
Right. So that, you know, Tyreek was saying: "No, Bob, it’s not the Egyptian Book of the Dead, it’s the Coming Forth by Day." But that’s only a subplot of the book. You know, we were leaving out the hymns.

Carolyn 34:45
Yeah, yeah, yeah.

iON 34:45
The Book of the Dead, the Book of the Dead. The Book – the Book of the Dead, is they describe night and day as dead and alive. Sort of.

Carolyn 34:52
Ahh.

Bob 34:57
Okay.

iON 34:59
You’ll see. It’s a play, it’s a little bit of a play. Now, it’s the same thing that Walter was trying to figure out – both Walters in Fringe were trying to figure out. Now, that laid out a pretty good construct. And J.J. is workin’ on a new thing. Bob! It’s just gonna curl your teeth. It is beyond the bomb. He’s gettin’ good. He’s getting frank with this now. Either that, or you’re leaking like a sieve, and they’re gettin’ more information than usual.

Bob 35:27
Right. Now, you know, James Joyce made this coming forth by day the main theme of Finnegans Wake, Carolyn. You know, HCE is having a nightmare all through the night. And by the end of the day – the end of the nightmare, day comes forth to dawn. So, he took it literally. Not day is dead – day is living and night is dead people. Though Joyce was –

iON 35:51
Well, you see, it makes it, it makes it a wake. That’s why he makes it a wake, that you’re sitting up with the dead in the daytime.

Bob 35:59
Ah, okay.

Carolyn 36:01
Cheri on the chat is, is clipping and putting the sections that we’re reading as we’re reading them.

Bob 36:10
Good.

iON 36:11
Aww, that’s nice.

Carolyn 36:13
Amen.

iON 36:13
Jack LaLanne, Jack LaLanne will like that.

Bob 36:17
Yes, and Ani, who is one of the figures in this text, is posting.

Carolyn 36:24
Come on, let me go.

iON 36:25
Ani.

Carolyn 36:25
"HERE BEGIN THE CHAPTERS OF COMING FORTH BY DAY, AND THE SONGS OF PRAISING AND GLORIFYING WHICH ARE TO BE RECITED FOR "COMING FORTH" AND FOR ENTERING INTO KHERT-NETER, AND THE SPELLS WHICH ARE TO BE SAID IN BEAUTIFUL AMENTET."

iON 36:45
Amentet. Amentet.

Carolyn 36:46
Amentet. "THEY SHALL BE RECITED ON THE DAY OF THE FUNERAL, ENTERING IN AFTER COMING FORTH." All those words are in capitals, so we are flying, flying.

iON 36:46
The meaning. Mm hmm. Mm hmm.

Carolyn 37:01
Continuing: "The Osiris Ani, the Osiris the scribe Ani saith:- Homage to thee, O Bull of Amentet, Thoth the king of eternity is with me."

Bob 37:19
Now, Carolyn, iON said that I was Thoth. It is about me.

Carolyn 37:23
And there’s no capital on king or eternity. So, "Thoth the king of eternity is with me. I am the great god (Carolyn: no capitals) by the side of the divine boat, I have fought for thee, I am one of those gods, those divine chiefs, who proved the truth-speaking (Carolyn: no capitals) of Osiris before his enemies on the day of the weighing of words." Now, I like that. Weighing words.

iON 37:55
Mm hmm. Mm hmm.

Carolyn 37:55
Words show, they show the importance of words. Can you comment on that, iON?

iON 38:03
So, it’s the referencing of the conditions between the levels. Remember the ferryman that you got to pay the toll to to get to the place of the dead, and you got to pay your toll once you died?

Carolyn 38:16
Yeah.

iON 38:17
The right to have a peaceful –

Carolyn 38:18
The river Styx. It’s the river Styx. S-t-y-x. I just remembered that.

iON 38:23
Yeah, yeah. It’s true, it’s true. And that’s the –

Carolyn 38:27
Okay. Referencing it’s between the levels. Continue.

iON 38:30
The kingdoms. The kingdoms, and the kingdom of the live and the kingdom of the dead.

Bob 38:37
As opposed to realms and dimensions and worlds.

iON 38:41
And kingdoms. Yes, and kingdoms.

Bob 38:44
Is that part of the three kingdoms?

iON 38:47
It is.

Bob 38:49
But, this is a boat for little man, Carolyn. It’s all small letters.

iON 38:52
Yes, it is, because it’s all about, it’s all about dead people.

Carolyn 39:00
Yeah, they didn’t make it. Right?

iON 39:04
Well, this, this is what this book is supposed to, supposed to help. Let’s see how it goes.

Carolyn 39:12
Right. Continuing: "I am thy kinsman Osiris. I am {one of} those gods who were the children of the goddess Nut, who hacked in pieces the enemies of Osiris, and who bound in"

iON 39:29
Oh, that’s just like Carolyn. That’s like, like Carolyn. She’d chop your head off. The sharpest machete in the shed. Yeah.

Carolyn 39:36
Oh yeah.

iON 39:38
Machete in the shed.

Carolyn 39:37
You bet.

Bob 39:39
The enemies of Bob.

iON 39:42
Enemies of Bob. Mm hmm.

Carolyn 39:44
"and who bound in fetters the legion of Sebau devils on his behalf." Legion of Sebau devils? What’s a Sebau devil?

iON 39:58
It’s a lower level, not like a cherub. It’s not like an angel. It’s more of a demonic position. So, he’s on the lower caste of hell.

Bob 40:11
Like a gargoyle?

iON 40:14
Worse than a gargoyle. A gargoyle would be able to be seen.

Bob 40:18
Hmm. These aren’t seen.

iON 40:20
A legion of Sebau, a legion of Sebau would destroy your house. They’d be like the termites of the kingdom. They’d come eat your house up. And you don’t even know what happened.

Bob 40:29
And they’re not seen. You’re emphasising they’re not seen.

iON 40:32
Typically. Typically they’re not seen.

Bob 40:34
Yeah.

iON 40:34
They’re like footmen.

Bob 40:37
So, what humans created these things, you know, humans created everything. What mode made this?

iON 40:43
Little men.

Bob 40:45
Little people?

iON 40:46
You got to have a place to go back to. This is trying to get you back home. Otherwise, why would you –

Bob 40:51
Right. But what created the Sebau devils? What kind of human? What kind of little person would do that?

iON 40:19
The kind that was trying to say – the same one that would pronounced that in order for it to heal it has to hurt. That one.

Bob 40:19
Okay. Yeah.

Carolyn 41:06
Contrast.

iON 41:07
In essence.

Bob 41:10
They think contrast is necessary.

Carolyn 41:13
Something to fear, you know, some problem.

Bob 41:16
Not the natural ebb and flow. Just something that –

iON 41:19
Well, it’s it depends on your perspective. See, some people that, they, from, they suffer from arachnophobia. A spider walks into their house, they could have a heart attack and die. Just ‘cuz they’re scared of a bug.

Bob 41:37
Then why’d you bring that up? How’s it relate to the little –

iON 41:40
Because you’re making reference of – you’re making reference like this is just the stride of life, and once you figure out and how you calculate, and we go, no, no, no, no, no, no. Everybody, individually, is in this juxtaposed position that’s created from their juxtaposed position. So, someone in your high, fucking, seat of all mightiness, you’re really not gonna give much credence or, or gnashing of teeth than somebody having to live a fucked-up life and figure out how they’re going to get their rent money, then figure out how their gonna pay the piper his due and get their windows clean so people don’t talk about them behind their back, and watch who they’re sleeping with so they don’t drag home vulgar diseases that they can’t explain. You know you don’t have that –

Bob 42:25
It sounds like Rat Driscoll, Carolyn. Rat Driscoll. I played ball hockey with. Very good ball hockey player.

iON 42:30
So, so, so, a needle pulling thread. You’re making this reference of an empirical position from a very high posted position.

Bob 42:38
Yeah.

iON 42:39
Which is wonderful, but this – (overtalk)

Bob 42:40
I got the most valuable player reward – as a top scorer that year, 1953.

iON 42:44
Well, that’s fine. That’s fine. That’s fine, but you’re on a team where everybody gets a trophy.

Bob 42:50
No, not on our team.

iON 42:51
(laughing)

Bob 42:51
But I couldn’t have done it. I couldn’t have done it without Rat Driscoll. He was a good player. He got a lot of assists. He set me up, Carolyn, to score.

iON 43:00
That was a good rub. Remember the little soccer players and the three year olds playing no matter if they win or lose they’ll all get a trophy? It’s like that, Bob.

2000

Bob 0:00
I looked him up when I was in Dartmouth last August and I haven’t heard back from him.

iON 0:03
How did it go?

Bob 0:04
He’s into lawn bowling now. Lawn bowling.

iON 0:07
Aw, that’s nice. Could he swim, could he swim the English Channel with you Bob, when you go to, go to the lake?

Bob 0:12
No, he actually lived up in the ghettos. He probably didn’t get to swim. So –
 

iON 0:18
Yeah, that’s right, Carolyn, he’s from the rough side.
 

Carolyn 0:20
Okay, can we go on?

Bob 0:22
His father was a crazy coach.

Carolyn 0:23
I’ve been multitasking. I just read two hours ago Trump said something big just happened. So, there was nothing – (indistinct) you know,

iON 0:33
Ohhh, so, some day when a democrat becomes president and the republicans control the House, –

Carolyn 0:35
– a few minutes later (overtalk with iON) – and now, pages and pages of everybody trying to say –

iON 0:41
– even by the tiniest margin, they can impeach the President without due process. (overtalk) any legal rights. All Republicans must remember what (overtalk throughout)

Carolyn 0:50
– what’s going on. (more overtalk with iON)

iON 0:52
It’s a lynching! It’s a lynching. We will win.

Bob 0:56
Ha ha. It’s a lynching.

Carolyn 0:57
It’s a leaking. He’s leaking, himself.

Bob 1:00
And note, people, I was explaining our great past that Carolyn can’t remember. And so, if I go into that frequency, she just slips off and goes to tweeter and Drudge and just sails off. But she comes back.

iON 1:11
She’s been to the – where you been, Carolyn? I’ve been to the tweerter. Tweety. I’ve been to the tweety. I got a tweety in my tutu. In tutu.

Carolyn 1:19
Continuing – continuing –

iON 1:20
We got to get you all a tutu. That’s what we need – is a beast {word not clear. ed.} Boy, that would set everything right, if he had a beast {word unclear again}
 

Bob 1:27
Now, someone is asking: "What has happened, iON?" Julie, I don’t think iON would tell us right away. We must enjoy the drama of watching it unfold.

Carolyn 1:36
I know, and the whole news media, they’re saying: Oh, you know, the cryptic tweet and subsequent announcement from the White House that he’s going to have some sort of press conference Sunday night. Oh, he’s been embroiled in controversy following his decision to withdraw troops from northern Syria. And attorney William Barr is gonna begin criminal investigations, and oh –

iON 2:02
He has already.

Bob 2:04
That was a good one, Carolyn, like, if Schiff and those guys get outraged because the Department of Justice is going to investigate the Democrats. You know, they call it probe the original investigation.

Carolyn 2:15
Yeah.
 

Bob 2:16
They’re gonna probe. Isn’t that right, iON? They’re gonna probe the Democrats.

iON 2:19
Yeah. The thing, the thing, the very thing, the specific thing that they were doing, this specific thing that they were doing to Trump, he’s now doing to them. Only this time, he’s got the goods.

Bob 2:19
Right. And –

iON 2:30
It’s gonna be trouble. That’s what we said all along. That’s what we said all along, y’all. If you recall, that everybody that raises their hand against Trump, that’s what’s gonna happen. And now what’s happened, it’s comin’ full circle. He’s been quiet and he said nothin’. He’s been easy, I mean. They said pussy and he said that was interesting. He said it’s a witch hunt. They’re going after him, but I find it understandable, you know, things happen. You know, stuff, it’s the way it is. And, yeah, I said that I can’t have another country help me with my, with my reelection; but China, if you got anything on Biden, send it on over. We need to know about that. On national fucking TV he said: Now, China, y’all got anything, send it. We’ll use it against him, too. That’s the very thing that is okay to say! Because if there’s stuff going on like this, that’s what needs to go to that individual problem or house or judicial somethin’ somethin’. We don’t even know what things are anymore. They’ve messed it up. There’s no up or down anymore. You can’t know which is what. But, so, set that aside. So, now it’s comin’ around and then they’re all been puffed up. Impeach 45! You know, them saying that makes no more – she’s kind of hush – she doesn’t talk about that much no more. And they kind of eased up on it just a little because everything they’ve done is kicking back in their face. And that’s the same thing that happens in coming forth by day. So, this is the zeitgeist that’s being represented from a very high-tiered level that all these old things – Bob, what if they judge you based on everything you said in CKLN? OOH, wouldn’t that be, wouldn’t that be, wouldn’t that be a zeitgeist to behold? Wouldn’t that be somethin’?

Bob 4:21
Ha ha. A lot of impeachment goin’ on.

iON 4:22
Well, yeah, there’s some peaches, there’s some peaches and cream, sure enough, around there. A lot of cream, mostly, but yeah, there you go. So, that’s the rub that you come to. And it’s a very intriguing case or condition, because it shows the, the – our way, people have said, it’s hard: ascension. And actually, our way is the simple way. Our way, it’s what’s easy. It’s the thing that’s smooth and without form or crevice.

Bob 5:00
I have a book in the library. It came out in the 70s, 80s, says the "Lazy Man’s Guide to Enlightenment." Is that what we’re offering?

iON 5:07
We don’t like lazy ‘cuz Carolyn’s not lazy. You are, but she’s not lazy. She’s doing.

Bob 5:15
Yeah, and we’re not heading towards enlightenment.

iON 5:19
Well, you don’t want to – you don’t want enlightenment. You don’t want to know how you’re wrong. Enlightenment will just tell you how you’re fucked up. We want you to ascend.
 

Bob 5:28
Yeah.

iON 5:28
See, that’s what Buddha was trying to figure out: that you have to quench to be able to do it. That’s enlightenment. That ain’t no good. Enlightenment will just tell you how you fell short. Almost persuaded, but lost. You’re right.

Carolyn 5:41
Yeah, George Raynault told Bob and I that we weren’t enlightened.
 

Bob 5:46
He was.
 

Carolyn 5:47
Yeah. So –
 

Bob 5:50
Greg lived under that yoke for decades. He made Greg feel unenlightened.

iON 5:56
Poor Greg.

Bob 5:56
Gre, (indistinct) now.

iON 5:57
Greg’s gonna do – Greg’s goonna do – Greg’s doin’ better than fucking Mental Doodle do. Hurry up, it’s almost time for the Mental Doodle. It’s almost time.

Bob 5:58
Heh, heh. Well, I liberated Greg.

iON 6:08
ALmost time, almost time.

Bob 6:08
I liberated Greg.

iON 6:10
Yes, you did. Yes, you did. And you’ve been very good to him by the way, too. Let’s us note that. Listen.

Bob 6:15
Ha ha. Okay. So –

iON 6:17
It’s time for the Mental Doodle! t’s time for the Mental Doodle!

Bob 6:22
That’s right. We’re coming up to – let’s see if George said his doodle. That’s right. He usually comes in about now, Carolyn.

iON 6:28
Wait. Right now. Right now.

Carolyn 6:30
Come on, get Loyette in here and let’s go.

Bob 6:33
Just a second. We’re looking up the doodle. Oh, there it is. And it’s called Mental Doodle number 488 which adds up to 22, and the topic is toothpaste.
 

Carolyn 6:47
Oh god.

Bob 6:47
We’re not going to read it. Never read any of them.

iON 6:49
That’s doodleable. That’s doodleable. So, good.

Bob 6:52
Ha ha. Okay, Loyette says, and I hope this is not the case, it would be dull: "The head of ISIS, the leader of ISIS, has been found dead." Is that what Trump is braying about? Just the murder of the ISIS leader killed in U.S. raid?

iON 7:11
No, they already got the ISIS leader. Big things have happened, but that’s not this. That’s good, but that’s not important.

Bob 7:19
Okay, that’s not what Trump’s talking about. That’s good news. That’s boring.

iON 7:22
The big news- this is real news.
 

Bob 7:27
Yes. What could it be? George Papadopoulos found the recording. Is that he incriminates everybody when they tried to set him up?
 

iON 7:36
No, no, no, no, no. Nancy Pelosi commits suicide and gonna be buried next to Elijah Cummings. (laughing)

Bob 7:44
(laughing) Something big happened.

iON 7:50
That may be a doodle. That may be a doodle. Found in her chamber, fuckin’ a small, small horse. Yeah. A treatment, a treatment, what do you call it? A treatment horse which you ride. It gives you comfort.

Bob 8:05
Yeah, that’s in Twin Peaks. When the horse showed up, that was bad news, Carolyn. When Laura Palmer’s mother would see the horse, oooh, very bad. So, they found a horse in Nancy Pelosi’s chamber. Uh oh.

iON 8:22
A support, a support horse.
 

Bob 8:25
Yeah.

Carolyn 8:25
Oh, brother.

Bob 8:27
Okay, back to your script, Carolyn.

iON 8:29
Back to work, back to work, back to work.

Carolyn 8:33
Someone’s got to get this done.
 

Bob 8:35
Yep.
 

Carolyn 8:35
Okay, continuing: "I am thy kinsman Horus, I have fought on thy behalf, I have come to thee for thy name’s sake. I am Thoth who proved the truth of the words of Osiris before his enemies on the day of the weighing of words in the great House (Carolyn: capital) of the Prince, (Carolyn: capital) who dwelleth in Anu."

Bob 9:01
That’s what I do. I prove the truth of words.

Carolyn 9:04
"I am Teti, the son of Teti. My mother conceived me in Tetu, and gave birth to me in Tetu. I am with the mourners {and with} the women who tear out their hair" So this is the death process right here.

Bob 9:24
Yeah, because this is Teti the son of Teti. He’s a son of himself? Is that what it was meaning, iON?

iON 9:30
It’s from – I’m Bob from Bobville.

Bob 9:33
Heh heh heh. Okay.
 

Carolyn 9:37
So, he’s a god to himself. Correct, iON?

iON 9:40
Yeah, it is, but, the women who tear out their hair – and you got to finish the rest of the sentence.

Carolyn 9:46
Yeah. So, "the women who tear their hair and make lament for Osiris in Taui-Rekhti,"

iON 9:58
In Taui-Rekhti.

Bob 9:58
Taui, Carolyn, could be Maui. Taui.

Carolyn 10:02
Heh heh. Taui-Rekhti.

iON 10:04
Taui-Rekhti. Too many vowels.

Carolyn 10:09
"proving true the words of Osiris before his enemies." Let me read that again. "I am Teti, the son of Teti. My mother conceived me in Tetu, and gave birth to me in Tetu. I am with the mourners {and with} the women who tear out their hair and make lament for Osiris in Taui-Rekhti, proving true the words of Osiris before his enemies. Ra" Unmute. Unmute. (to Bob who is in background).

Bob 10:40
Yeah, I have a thought. We’re going from person to person. I am thy kinsman Horus. Now Teti. It’s like you’re going on doing a roll call, iON, with these people?

iON 10:50
You’re gonna reference everybody because they gotta tell you what to do.
 

Bob 10:55
Okay.

Carolyn 10:57
Would you read the next line? I just gotta get some water.

Bob 11:01
Well, I don’t have any script –

iON 11:04
Ra. Ra commanded. Ra commanded Thoth –

Bob 11:07
I’ll do it. I’ll do it. "Ra commanded (Bob: "Bob or") Thoth to prove true the words of Osiris before his enemies; what was commanded {for Osiris} let that be done for me by Thoth. I am with Horus" –

iON 11:28
It’s like, it’s like ascend. Okay, it’s like okay, I’m speaking. I’m gonna argue for, I’m gonna argue for iON. I’m gonna fight for iON. I’m gonna do what I gotta do. And iOn isn’t a god, he’s nonphysical, but I’ve fought for him and I want for me what iON’s got from Gods. That is Thoth. See, we got all the power. We got all the power from the little man when there were Gods. But you’re saying: "Oh hell no, hell no, hell no, I aint’ having none of that, hell no, nah uh uh. No, I want mine from god god. I want mine from Thoth, himself."

Bob 12:05
Okay, "I am with Horus on the day of dressing Teshtesh." If I were Carolyn, I’d go: "What’s Teshtesh?"

iON 12:12
Wouldn’t you know what Teshtesh is?

Bob 12:17
See? Look. I get nowheres, Carolyn. I’m not reading anymore. We gotta get back to you. iON responds to you.

Carolyn 12:25
(in background) Ha ha. Okay, here I come.

iON 12:26
Before his enemies; what was commanded {for Osiris}, let that be done for me. I’m with Horus on the day of dressing Teshtesh. That’s the point of the hookup, Bob. That’s when you decided you’re going to die or live or come or go. You’re in the middle ground. Teshtesh is the middle ground. Come on –

Bob 12:46
You have the option of living or dying as a little man?

iON 12:49
No. You gotta, you gotta navigate it. You got to get on the River Styx and see if you make it or not. That’s the point.

Bob 12:57
Why would I even be engaging the death zone?

iON 13:00
Because you’re, because you’re dead.
 

Bob 13:03
Well, how did I get dead?

iON 13:05
This is the Book of the Dead, Bob!

Carolyn 13:08
You’re not ascending. You don’t have any capitals.

Bob 13:13
Nooo. That’s not right. I’m not even engaged in this. It’s not for me. And everything looks dead, but I’m not dead.

iON 13:19
It is. But you’re dealing with dead people every day who make up crazy names on the chat and don’t know what they’re saying. They do stupid things that you’ve never even heard of before. They’ve been listening for 100 years and then they ask if we are potential for hydrogen or not. You got to get on your game. You got to get on your game. If you’re gonna lead the children of Israel out of the desert, out of the 40 years – you’ve done this for 40 fucking years – you’re gonna lead them out now, give them the promised land – you got to hold your staff tight ‘cuz you’re dealing with the folks to get them where they’re supposed to go. So, come on.
 

Bob 13:55
Okay, so, I’m being a little man doing that? Putting –
 

iON 13:59
Well, no, you’d have to say, you’re the one that somebody says about ascension, they say: Well, don’t worry, I’ve been doing this forever, and I’m not ascended. I don’t even know what it is. I can’t get iON to tell me anything, and everything he says becomes undone. And then a few things happen, but they unhappen. They didn’t burn California, and they sorta did, and I don’t know what he’s talking about. It’s a lot of words. And I’m trying to figure it out, too, so I’ll be the one I’ll be the dark soul to sweep up everything. And the last one out, me and the last one out will turn off the lights when California’s gone and it will – try to be okay with, I mean, iON did say something and I kind of go with it, but I have no idea what it means. It really doesn’t apply to me, so, if y’all waitin’ on me, it’s pretty much –

Carolyn 14:41
Okay, Bob, I’ll take over.

iON 14:43
Ha ha. It all means that when he says Bob opens the hidden water-springs, the D-cell, for the ablutions of Urt-ab.
 

Carolyn 14:49
Come on, come on.

Bob 14:51
Oh, and while this is happening, hey, iON, would, would all this shutting down the power in California create a lot of tension among the citizens of California leading to an earthquake?
 

iON 15:01
Yeah.

Bob 15:02
There is it, Carolyn, the frustration.

iON 15:04
Yeah.

Bob 15:04
They want release.

Carolyn 15:09
Ohhh.

iON 15:09
Total fucked-up Biology said that it should have been gone months ago.

Bob 15:11
Ha ha ha. Who said that? Who said that?

Carolyn 15:15
Total Biology.

Bob 15:18
Total Biology, yes, yes.

iON 15:20
Total fucked-up Biology. It should have been gone months ago. And I don’t know what – it’s holdin’ on by a thread.
 

Bob 15:25
That wasn’t said by Pam Birdsall, Carolyn.

Carolyn 15:28
Okay, let’s go. Continuing. Yeah, Teshtesh. Maybe I better read: "I am with the mourners {and with} the women who tear out their hair and make lament for Osiris in Tau-Rekhti, proving true the words of Osiris before his enemies. Ra commanded Thoth to prove true the words of Osiris before his enemies; what was commanded {for Osiris}, let that be done for me by Thoth. I am with Horus on the day of dressing Teshtesh. I open the hidden water-springs for the ablutions of Urt-ab. I unbolt the door of the Shetait Shrine in Ra-stau. I am with Horus as the protector of the left shoulder of Osiris, " Okay, what’s going on with his left shoulder, iON?

iON 16:30
Well, you got the right hand to God and left hand to God. The right hand to God is reserved, so far. He’s on the left flank of Osiris. Because they’re talking about Sekham.

Carolyn 16:48
Okay, continuing. "I am with Horus as the protector –

Bob 16:54
No No, you haven’t read Sekham have you yet?
 

Carolyn 16:56
No, it’s just below I’m backtracking half a sentence. "I’m with Horus as the protector of the left shoulder of Osiris, the dweller in Sekham. I enter in among and I come forth from the Flame-gods on the day of the destruction of the Sebau fiends in Sekhem."

Bob 17:19
Yeah, remember the Sebau fiends are mentioned up above there.

Carolyn 17:22
Devils. We called them devils earlier. "I am with Horus on the day{s} of the festivals of Osiris, at the making of offerings and oblations, namely, on the festival which is celebrated on the sixth day of the month, and on the day of the Tenat festival in Anu." So, is that a death festival?

iON 17:46
It’s Bloomsday. That’s Bloomsday. Yeah, it’s a death day. Bloomsday.

Carolyn 17:52
Yeah. Bob, it’s Bloomsday.

Bob 17:56
It’s pretty good.

Carolyn 17:57
Yeah. Continuing. "I am the UAB…" Now, that’s all capitals, That’s interesting.

iON 18:09
Yeah.
 

Carolyn 18:12
U-A-B is all capitals.
 

iON 18:13
U-A-B is the representative.

Carolyn 18:19
"I am the UAB priest (liba-
 

Bob 18:24
Libationer.

Carolyn 18:25
Libationer. Well –

iON 18:27
Libationer. The one that gets you loved-up.

Carolyn 18:31
Yeah that’s a drinker. The libationer –

iON 18:35
Well a – it’s the, the libation is what the alcohol does. It smooths you out. It relaxes you. You would have to imbibe to be a drinker.

Carolyn 18:49
Yeah. "I am the UAB priest (libationer) in Tetu, Rera, the dweller in Per-Asar. I exalt him that is upon the high place of the country. I look upon the hidden things (the mysteries) in Ra-stau. I recite the words of the liturgy of the festival of the Soul-god in Tetu. I am the SEM priest," SEM. So that’s all capitals, S-E-M, so that’s another over –

iON 19:28
Makes another reference, another reference of the higher ground that Bob represents. You see, it says: and {perform} his duties.

Carolyn 19:44
Right, right. "I am the SEM priest, and {perform} his duties. I am the UR-KHERP-HEM priest" All capitals.

iON 19:56
UR-KHERP-HEM. UR-KHERP-HEM.

Carolyn 20:00
"UR-KHERP-HEM priest on the day of placing the Henu Boat of Seker upon its divine sledge. I have taken –

iON 20:12
That’s the river. That’s what you were talkin’ about, the reference, and the other thing of the River Styx.

Carolyn 20:18
Yeah, got it. Continuing: "I have taken in my hand the digging tool on the day of digging up the earth in Hensu."

Bob 20:34
Okay, wait a minute. Let’s go back. What is the dweller in Per-Asar? What is that? Where’s that? Significant?

iON 20:42
Oh, that’s another land. Yes, it’s the other land. All these references of these people come from somewhere, going to somewhere, and they mark up somewhere.
 

Bob 20:51
Okay.

iON 20:52
That’s the point. And then it’s like saying: where are you from? Well, who are you? Where are you from?Canada? Get the fuck out of here. You don’t have, you don’t – around here. Connecticut? Okay, that’s pretty bad too, but you can probably hang on. Yeah, yeah, yeah. Who’s your president? Michelle Obama? No, you not gonna –

Carolyn 21:09
(Bob and Carolyn laugh) Ah, okay. And then there’s a bit of a little gap here and then it says: "Hail, O ye who make perfect souls –

Bob 21:22
Who give cakes and ale.

Carolyn 21:29
No.

iON 21:29
No. You’re one paragraph ahead. You’re one paragraph ahead, Bob.
 

Bob 21:34
What? Did I screw up there?

Carolyn 21:36
Yeah.
 

iON 21:37
No, you just skipped down –

Bob 21:38
Oh, I jumped down. Oh, yeah.

iON 21:39
See, you went with Roy. You went with Roy.

Bob 21:41
Roy. Yeah, I’m following Roy. The British people are an hour behind.
 

iON 21:46
He’s an hour ahead. He’s an hour ahead.
 

Bob 21:50
Oh, okay.

iON 21:50
That’s why – Roy, he’s catching up. Don’t worry about him.

Carolyn 21:54
Okay, back on tract.

iON 21:55
Live, in front of a taped studio audience.

Carolyn 21:58
"Hail O ye who make perfect souls to enter into the House of Osiris," (Carolyn: capital "H." But souls is small).

iON 22:08
Ah huh.

Carolyn 22:10
"make ye the well-instructed soul of the Osiris the scribe Ani, whose –

Bob 22:19
Now, is that referring to the scribe Ani who makes this well-instructed soul of Osiris?

iON 22:26
Soul. Because this is the point, this is what it does. The stenographer, the stenographer lays it out and now we’re gettin’ to gonna see what the scribe says: what does the soul say?
 

Bob 22:40
Yeah, the Ani is the soul in this paragraph.

iON 22:42
Heh – it would reference the soul. Yeah. Ani would be what they’re calling the soul. The, the embodiment of the soul. Yeah.

Carolyn 22:55
Okay, again: "Hail, O ye who make perfect souls to enter into the House of Osiris, make ye the well-instructed soul of the Osiris the scribe Ani, whose word is true, to enter in and to be with you in the House of Osiris. Let him hear even as ye hear: let him have sight even as ye have sight; let him stand up even as ye stand up; let him take his seat even as ye take your seats." Continuing: "Hail, O ye who give cakes and ale to perfect souls in the House of Osiris," So, this is the reception after the funeral.

iON 23:42
The wake.
 

Carolyn 23:44
Yeah. Okay, continuing: "give ye cakes and ale twice each day (in the morning and in the evening) to the soul of the Osiris Ani, whose word is true (Carolyn: no capital "T" there) before the gods, (Carolyn: no capital "G," the Lord’s (Carolyn: "L" is capitalized) of Abydos, and whose word is true with you. Hail O ye who open up the way, who act as guides to the roads {in the Other World} to perfect" Now, is it to perfect souls or to perfect souls, iON?

iON 24:33
To perfect souls. To perfect souls. In the capital, in the capital Other World to perfect souls. (adjective:pure/ideal/total, ed.)

Carolyn 24:43
Ah, right. Capital Other World. Yeah. "to perfect souls in the House (Carolyn: capital) of Osiris, open ye up for him the way, and act ye as guides to the roads to the soul of Osiris, the scribe, the registary of all the offerings made to the gods, Ani, {whose word is true} with you." Now, this business about guides. Are they referencing angels or something else?

iON 25:19
Ah, well, we’re just gonna say everything. We’re gonna say everything because it references a lot of stuff. You talked about – you got sepulchres, you got people from the Other Worlds, you got demons, you got scythes, you got all kind of stuff. You got, you got thinking viruses, that effect stuff.

Carolyn 25:41
Ha ha.

iON 25:41
No, no that’s how you go septic. You know, when you go, when you have sepsis, when you go septic, that’s what happens. It takes over the function, and its word is truer than your word ‘cuz it’ll kill you.

Carolyn 25:56
Okay. Contuining: "May he enter the House of Osiris with boldness, and may he come forth therefrom in peace. May there be no opposition made to him, and may he not be sent back {therefrom}. May he enter in under favour {of Osiris}, and may he come forth gratified {at the acceptance of} his true words. May his commands be performed in the House of Osiris, may his words travel with you, may he be glorious as ye are. May he be not found to be light in the Balance, may the Balance dispose of his case." Now, this is very personal, isn’t it, iON? I mean, the –

iON 26:42
It is. It is. Everybody’s is. And that’s why we give the big picture of how to do it all the way through, but it’s an individual capacity. That’s how we talk to individuals. But sometimes our words, like, let’s say we’re talking to Bert. Bert’s at a different level than say, Bart. Okay? Not a bad difference, just a difference. Okay. So, we reference and we have words with Bert. And those words sometimes help Fren. Okay? And if they do, great, you see. It was only to Bert, but it does apply at the larger, empirical, layered level, but not empirically.

Carolyn 27:22
Right. And the –

Bob 27:24
How does that apply to what we just read? We’re addressing one person?

iON 27:29
Personally, yeah. Given the layout of how it goes. They are given the layout of how it goes.

Bob 27:37
Well, it seems that the person has to acknowledge the different forms that come, come out of the mist.

iON 27:45
They do. If you don’t recognize you’re in a different world, why would you do the OA movements to get back?

Carolyn 27:53
Mmm. Yeah. And what I was thinking of as well is that I’m thinking of the Revelation series where it was very generalized. It’s, you know, the, the winds are going to come, the angels are going to blow, the horses, the apocalypse. It didn’t seem personal at all.

Bob 28:21
What, Revelation?
 

Carolyn 28:22
Yeah.
 

Bob 28:23
Yeah.

iON 28:24
Yeah, but it is, though, from a standpoint when the winds – the Santa Ana winds have always blown, but now the Santa Ana winds are burning California. The winds always blown, it’s not new. Now the wind burns it all down. What’s different?

Carolyn 28:44
Ah ha. Yeah, what is different, iON?

iON 28:50
It’s the end.

Bob 28:54
The end of what? The beginning?
 

iON 28:56
The beginning. Good.

Carolyn 29:03
Okay. And – now, there’s something in brackets here. So, what – what – we got brackets: "(In the Turin Papyrus, ed. Lepsius, this Chapter ends with the following.)" So –

Bob 29:22
Okay, Carolyn, the, this thing about balance, iON’s always talking all the time about balance in our genes and our chemical compositions.
 

iON 29:30
No, we talk more about imbalance, but yeah.
 

Bob 29:33
Right. But you talked about this and that balancing. Is that what this capital "B," balance, refers to?
 

iON 29:40
Yes, or lack thereof. Yeah.
 

Bob 29:43
Or lack thereof.
 

iON 29:47
Because otherwise if everything was balanced, why would it had to be spoken about it at all?
 

Bob 29:51
Hmm.
 

iON 29:52
You know, when somebody asks us to keep telling you how sane you are. Why? If you don’t present insanity, there would be no reason to compliment your saneness. Would there?

Bob 30:03
Yeah. That means you’ve been a little fallen, weak, –

iON 30:08
Right. Yeah.
 

Bob 30:08
– littleness before. Haven’t been doing well in terms of how others see you.

iON 30:15
Correct. That to be noted that you’re, you’re so greatly improved. Ha ha. Improved from what?

Carolyn 30:25
Compared to what?

iON 30:26
I didn’t know I was wrong, I’m better. I’m better than – better than what? That’s the balance issue we’re just saying here. And, now, that’s not a huge – we’re not making that as a riff. We’re just saying that that’s the point that’s being referenced here. In the, in your long road of sufferage.

Carolyn 30:46
Yeah. Okay. So this next section apparently is in some editions and not in others. So, we’ll probably finish with this.

iON 30:56
Okay.

Carolyn 30:59
"Permit thou not me to be judged according to the mouths of the multitude."

iON 31:05
Oh shit, oh shit. Wait now. Hold on, Myrtle. Get your girdle, Myrtle. Get the girdle, Myrtle. Hold on now. Now we’re gonna start the – your, your, your key in your personage that you were saying it was a personal inputted position, which it is, because now, now, now, now in this multitude that you said Bob has been trying to hold up, now by god, they’ve turned on him. Now they’ve turned on him just as they always do. Okay, go ahead.

Carolyn 31:40
"May my soul lift itself up before {Osiris}, having been found to have been pure when on earth." So yeah, this whole multitude business that’s like, what is it, political correctness where you’re judged by the multitudes. Whereas, when you’re at the gate, you’re supposed to just judge yourself.

iON 32:08
Correct, but this is according to the mouths of the multitude.

Carolyn 32:12
Yeah. "May I come into thy presence, O Lord of the gods; may I arrive at the Nome of Maati (Truth); (Carolyn: in brackets, Truth with a capital "T.") may I rise up on my seat like a god endowed with life; may I give forth light like the Company of the Gods who dwell in heaven; may I become like one of you; may I lift up my footsteps in the town of Kher-Aha; may I look upon the Sektet Boat of the god (Carolyn: small "g"), Saah the holy one, as it passeth across the sky; may I not be repulsed; may I look upon the Lords of the Tuat, or, according to another reading, the Company of the Gods; (Carolyn: capital "G") may I smell the savour of the divine food of the Company of the Gods;" Capital "C," capital "G." So, we’re getting closer to ascension, you know, we’re doin’ all the right things –

iON 33:21
Yeah. You’re startin’ to get it. You’re startin’ to notice that – notice to ascend. You’re getting noticed to ascend.

Carolyn 33:27
Heh heh heh. Getting noticed to ascend. Excellent. "may I sit down with them;" Now, you’re still asking, so that’s not very god-like if you’re, if you’re –

iON 33:39
Well, but, you don’t know. That’s what people do with us. They say, iON, what do we do? Where do we stand? How do we do? How many pushups do I do? Don’t talk about my body. Oh, I want my body. I like my body. Cut off the arm, it’ll grow back. How do I know? I’m not sure. What do I do? Which way do I go, George? Which way did he go? Come on, which way did he go, George? Throw the ball, throw the ball, throw the ball, throw the ball. So, like that. Not, not in a glib kind of way, just making reference. Referring to their inference.

Carolyn 34:06
Yeah. "may my name be proclaimed for offerings by the KHER-HEB priest (Carolyn: and that’s all capitals) at the sacrificial table; may I hear the petitions which are made when offerings are presented; may I draw nigh unto the Neshem Boat; and may neither my Heart-soul nor its lord (Carolyn: small "l") be repulsed." And the Heart-soul, heart is capitalized. So, that’s interesting: Heart-soul. So that is, is that the heart we talk about? that’s the

iON 34:45
That’s the completed –

Bob 34:47
The hypothalamus.
 

iON 34:50
No, no, the complete pericardium.

Carolyn 34:52
Mm hmm.

Bob 34:54
The complete pericardium. Is that connected to the hypothalamus?

iON 34:58
No.

Bob 34:59
No connection there. So, what is the hypothalamus in relation to the Heart-soul?

iON 35:04
Nothing. Nothing at all. Your words: not appropriate.

Carolyn 35:12
Okay, so –

Bob 35:14
The Neshem Boat. Ask about that.
 

Carolyn 35:17
No.

Bob 35:18
The Neshem Boat, iON, what is that?
 

iON 35:20
That’s the boat, that’s the boat the ferryman drives, like, on the River Styx.

Carolyn 35:24
River Styx boat, Bob. Anything to do with boats is them being on the river going across to –

iON 35:30
Where you – the mythical place where you’re deciding to go to the under regions, the underground, the badlands, the death world, hell, purgatory, you know,

Bob 35:43
Westworld.

iON 35:43
Same thing. Same thing.

Bob 35:43
Los Angeles. So, the Heart-soul is the floating part, or the pericardium that contains the floating heart?
 

iON 35:55
The complete heart is the new pericardium that will hold a new heart. The complete package.
 

Bob 36:03
Hmm. That’s why it’s capitalized.

iON 36:05
Pericardium, pericardium heart.

Carolyn 36:08
Hmm.
 

iON 36:09
Yeah, that’s why it’s capitalized.

Carolyn 36:10
The heart of the matter, Bob.

iON 36:13
Matter of the heart, do.

Bob 36:15
That’s why it’s capitalized.

Carolyn 36:17
Yeah. We’ve gotten to it. That’s cool.

iON 36:21
(Mimics Bonanza tune over Bob and Carolyn)

Carolyn 36:28
Did it say repair? (mimics Bonanza tune)

Bob 36:24
No, it doesn’t say you’re there. They’re saying don’t be repulsed. Don’t repulse it.

Carolyn 36:32
No. Yeah, we are not repulsed. We accept our matter of the heart. Okay. Continuing: "Homage to thee, O Chief of Amentet, thou god Osiris, (Carolyn: small "g" though) who dwellest in the town of Nifu-ur Grant." Ha ha ha.

Bob 36:32
No, just Nifu-ur. Nifu-ur.

iON 36:49
Ha ha ha. Nifu-ur.

Carolyn 36:57
Ha ha ha. Period. Period.

iON 37:03
That’s Foster Grant’s brother.

Carolyn 37:05
Right.

Bob 37:05
Or Terry Nyforth, the store in Dartmouth that sold records.
 

iON 37:09
That’s true, that’s true. Next to the –

Bob 37:13
This is Dartmouth, right? Underneath this is Dartmouth.

Carolyn 37:16
Dart-mouth.

Bob 37:17
Nova Scotia. Describing Dartmouth, right? ‘Cuz you got the ferry going over to Halifax –

Carolyn 37:23
Back and forth, and back. Back to the death zone at Delhousie and then back home. Back over to the death zone, back home at night. Death by day.

Bob 37:36
Well, how could – if you projected Dartmouth in this, could anybody project any landscape on this?
 

iON 37:42
You could. Yeah, not many people are dealing with the curse of being from that place, however wretched.

Bob 37:50
But the space time continuum.

iON 37:56
What about it?
 

Bob 37:57
Constant. Is that what’s constant?
 

iON 38:01
Oh. There is no space and there is no time. So, no.

Bob 38:05
Well, we were talking about the landscape earlier, the landscapes as content.

iON 38:09
That has nothing to do with time continuum. That’s the thing that you say: that’s how I hook up from world to world, to world. And we’re like, nope, you can get there before you left. You can arrive before you left.

Bob 38:21
Right. So, that area that’s constant to go, shifts, but it’s always the same. What is that called if it’s not the continuum?

iON 38:35
Groundhog Day.

Bob 38:35
What? Nothing?

iON 38:36
Groundhog Day.

Bob 38:39
Oh, the repeating part is Groundhog Day, Carolyn.

Carolyn 38:43
Hm. Yeah, yeah, yeah.

Bob 38:44
So, when I when I get up every day in Maui, the thing that I keep seeing –

iON 38:49
I got you babe, I got you babe.

Bob 38:49
Ha ha. The beat goes on. That, that is the – Groundhog Day is the fact the same day. Now, who does the non-groundhog phenomenon happen to?

iON 39:03
Oh, Sonny, Sonny and Cher sing, "The Beat Goes On." And –

Bob 39:04
Yeah, that’s the same thing.

iON 39:04
"I Got You Babe."

Bob 39:11
Do the ascended not wake up to the same groundhog phenomenon?
 

iON 39:16
No, they do not.
 

Bob 39:18
Mm hmm.

Carolyn 39:20
Continuing "Grant thou that I may arrive in peace in Amentet. May the Lords of Ta-Tchesert receive me, and may they say unto me: "Hail, hail; welcome, welcome!" May they make ready for me a seat by the side of the President of the Chiefs;" Capital "P." Is that Trump?

iON 39:42
It is.

Carolyn 39:44
Ooh, heh heh heh.

Bob 39:44
May they make ready for me a seat by the side of the President of the Chiefs.

iON 39:50
You’re gonna have to be the Nursing-goddesses, Bob.

Bob 39:53
Who is, who’s going to be Nursing goddess?

Carolyn 39:55
Next sentence.

Bob 39:56
I know, but who’s gonna be?

iON 39:58
You’ll have to be the Nursing-goddesses.

Bob 39:59
I’ll have to be the Nursing goddess.

Carolyn 40:02
"may the Nursing-goddesses (Carolyn: capital "N") receive me at the seasons, (Carolyn: that’s the Four Seasons) and may I come forth into the presence of Un-Nefer true of word. May I be a Follower (Carolyn: capital "F") of Horus in Ra-stau, and of Osiris in Tetu; and may I perform all the transformations which my heart (Carolyn: small "h") may desire to make in every place where my Double (Carolyn: capital "D") (KA) wisheth to be."
 

Bob 40:38
The KA is the soul, I think, Carolyn, or is that the essence?

iON 40:42
That’s how it revives to the essence.

Bob 40:45
Yeah, cuz it wouldn’t be their soul, but people think KA means soul, Carolyn. but they don’t know the right word is essence. Now, this is boring about all this pleading. But there must be another more interesting meaning here. It’s about the stages of apprehension and the double helix and the chemistry of the, of the genetics? Is there something like that happening to the person as they consume the lousy cakes and ale or the living water?
 

iON 41:12
Yes. Yes.

Bob 41:15
Right.

Carolyn 41:16
What did you say, Bob?

Bob 41:19
Purposely abstute. (sic. ed)

iON 41:20
He has no, he’s got no idea.

Carolyn 41:20
(laughing) Ab-stupid.

Bob 41:20
(laughing) Ab-stupid.

iON 41:22
He can’t even say _____sentences. Ab-stupid. Ah-, ah-, ah- obtuse! Obtuse! Bless you.

Bob 41:35
Right. So, no, like all this pleading, Carolyn, –

Carolyn 41:37
Yeah.

Bob 41:38
– it’s someone on LSD going through all these crazy hallucinations. That would be the best that our little men fellow Californians would come up with, to go into the Tim Leary’s bardo, psychedelic bardos. But, we know it’s about the effects of our products.
 

Carolyn 41:55
Yeah. Yeah.

Bob 41:57
Right. Would you agree with that, iON? Is that wishful thinking?
 

iON 41:59
Sure. If it applies, yes.

Bob 41:59
Not wishful thinking.
 

iON 42:03
No, no, it’s – (indistinct, overtalk) apply.

Bob 42:04
So these various places. Yeah, like Ra-stau or Tetu, would they be along the chain of the double helix strands?

iON 42:15
They could, but that’s a – they could but it’s sort of a reach because they didn’t even get to all that themselves, Bob. So, there’s a kind of a reach.
 

Bob 42:22
Okay, so is this describing the mind observing autonomic movements?
 

iON 42:28
Reference. References. Autonomic references.

Bob 42:31
Hmm. We’ll leave that to Alissa or some workaholic to work that out, eh? Heh heh heh.

iON 42:37
Heh heh heh.

Carolyn 42:37
Yeah. And then ending with a rubric. And a rubric is a direction in a liturgical book as to how a church service should be conducted. So, if this –

Bob 42:52
You just read a definition?

Carolyn 42:54
Yeah, I pulled the definition.

Bob 42:56
Is it how a book should be read?

Carolyn 42:58
Yeah, no, it’s how a church services should be conducted.

iON 43:01
Rubric.

Bob 43:02
Oh, okay.

Carolyn 43:01
And this business. It says rubric and then the words. Is this part of the text or is this a comment on the text, iON?
 

iON 43:05
It’s a reference to tell you how you’re supposed to do that hymn in the service –

Carolyn 43:16
Right.

Bob 43:17
And it’s gonna go into the cakes and barley and stuff that I was talking about.

iON 43:20
Because this is a ritual. This is a ritual. This is a ritual. First you gotta start with the outer kingdom, then the middle kingdom, and then the – other one.

Carolyn 43:29
Ha ha. Inner. Inner. So, the rubric says: "If this text be known {by the deceased} upon earth or if he causeth it to be done in writing upon {his} coffin, then will he be able to come forth on any day he pleaseth, and to enter into his habitation unrepulsed. Cakes and ale and joints of meat from those which are on the altar of Ra shall be given unto him, and his homestead shall be among the fields of the Field of Reeds (Carolyn: capital "F" and "R") (Sekhet-Aaru), and wheat barley shall be given unto him therein, and he shall flourish there even as he flourished upon earth." So they’re saying that the –

Bob 44:20
That’s somebody going through the RNA Reset website looking how to order our products. Right?

Carolyn 44:27
And they’re told on the other side of their, of their check to us, they will be reaping the benefits.

iON 44:34
That they have to – that they’re supposed to be – that they have to read your books, and they’re free and they’re all on the website before they have any questions.

Bob 44:34
That wheat and barley shall be given as Carolyn’s ebooks. And Dobbs will flourish on Saturday, as he flourished on CKLN.
 

iON 44:36
They have to read the books. If they have any questions, they gotta read those first. And if they read all the books, then they got questions, then they can come straight to Her Majesty.

Bob 44:58
Right. And look at this, Carolyn. He shall flourish there in Dobbstown even as he flourished upon earth. Which means CKLN(!) way back there.

Carolyn 45:07
Mmm. Okay, so that’s that. I’m done.

Bob 45:10
Well, I think I have something to say. This is: "APPENDIX (From the Papyrus of Nekhtu-Amen, ed. Naville, I, 5)." Is that referring to what we just read or what’s coming up?

iON 45:26
It’s where it is that is coming up.

Bob 45:30
It’s what’s coming up, Carolyn. Yeah, actually we – this is –

iON 45:34
It lines it up. It just lines up because you got to go back. The point of being able to do this is to be able to do this to bring people back from dead.
 

Bob 45:42
Right. So –

iON 45:45
So, if you don’t know what you’re doing, if like, if, okay, if the person is really dead, then they go right here. If they don’t know what the fuck and you’re tryin’ to save them, if it’s somebody’s stupid mother-in-law who you don’t really want to save, you’re just pretendin’, then you do it this way. And these are the levels and steps that you’ll use to clean up the dead parts.

Bob 46:05
What is this way? This whole book or this particular hymn?

iON 46:09
Yeah, the whole – this whole book is one of a bunch.

Bob 46:13
And it’s, it’s about faking helping someone.

iON 46:18
No, it’s about how to accurately help someone who’s dead. Lot of dead ones running around there, Bob.
 

Bob 46:26
Yeah, but what if you don’t want them to be revived? You said something about that.

iON 46:30
Then don’t do it. Then don’t do it. Pretend to do it.

Bob 46:33
Oh, oh yeah.
 

iON 46:34
Like ascension. If you don’t want to ascend, just pretend like you’re ascending. And then you can come to this show, and you can buy your products, and you can feel better. You can get the bread and the water, but you most certainly do not have to ascend.
 

Bob 46:48
Right. So this, you would do this, rnareset.com, if you really were serious. But if you weren’t serious, you’d go to Gary Null or some other lousy site and just give them that stuff?
 

iON 47:01
Whatever. It’s all relative. It’s all relative. You got, you got fakers here, too, Bob,

Bob 47:07
Oh, so we could, we could give our products to people that it won’t help them if they’re –

iON 47:12
If they won’t ascend. They still have a choice. They got a choice to get on the River Styx, remember?

Bob 47:18
Right.

iON 47:21
Do you hear that background sound, Bob?
 

Bob 47:25
Yes. What about it?

iON 47:27
That’s what that is. That’s a mighty rain.

Bob 47:32
Where you are.

iON 47:35
Where we are, yes. It puts you asleep. It’s perfect.

Bob 47:40
Hmm. I think it was gonna say something – oh yes, this is a preparation for us –

iON 47:51
Preparation H for your hemorrhoids.

Carolyn 47:53
(laughs in background)

Bob 47:54
Yes, but it’s all a preparation for us, too, because on Monday we’ll be entering the realm of the dead. You know what that’s gonna be, iON?
 

iON 48:01
Yes. That’s true, it’s true.

Bob 48:01
You know what it is? Can you say? You can’t say, can you? You can’t get particular.

Carolyn 48:01
It’s Carolyn’s show. Carolyn’s show!

iON 48:11
We’re not allowed. We’re not allowed on that show, so, it’s okay.

Bob 48:14
I’m not talking about that show. We – you haven’t figured it out, Carolyn, you haven’t figured it out. You think it’s your show, no. On Monday, we’re going to have a returned bout with Harold Channer.

Carolyn 48:25
Ewwww.

Bob 48:27
Now, that’s the dead zone. And, we have a lot more to say this time than we did a couple of years ago when we last entered his dead world. So, just givin’ everybody a heads up. Look forward to this match, rematch, with Harold Channer who recently had a heart attack, like three months ago.

Carolyn 48:47
No, a stroke.

Bob 48:48
A stroke three months ago. I think he’s about 84 years old. Born in 1935.

iON 48:54
That’s what Gary Coleman had: Different Strokes. Ha ha ha.

Bob 48:57
Yes. So, we – would this be a metaphorical preparation for encountering New York city?

iON 49:04
Get that? The show? Differerent Strokes. He had multiple myocardial infarction, so he had different strokes.

Bob 49:10
Someone, Gary Coleman?
 

iON 49:12
Yeah, Different Strokes. They’re all mortal, remember?
 

Oh, yeah, I remember that. But the preparation for us to enter the dead?

Carolyn 49:21
I doubt it. I mean, Harold Channer’ show is so miniscule.

iON 49:26
We’ll see.

Bob 49:26
Yes, but we could make it something significant.

Carolyn 49:28
Ahhh, I don’t want to do it.

iON 49:36
Baaaah, baaah. Carolyn is the one who says she doesn’t want to do it but then does. And Bob’s the one who says I’m gonna do it and then won’t show up.

Bob 49:40
Ha ha ha ha. That’s right. Okay, well hope everybody enjoyed Carolyn reading this. I think it moves along faster than with iON reading.

iON 49:52
Well, we certainly did because it was – now it was actually meaningful.

Bob 49:57
Yes, with her doing it, meaning is evoked, but the ground is brought through from me.

iON 50:06
True.

Bob 50:06
Someone goes: "This got stupid quick. New record everyone, round of applause." So, they’re lookin’ forward to the music.

iON 50:14
(clapping)

Bob 50:14
Glad the music comin’ back pretty soon. Ha. Look at iON with his solar hands.

iON 50:20
Get some good music. Get some good music. You gotta get some good music because the music’s been okay, but you’re placating yourself. You think people like a certain kind of music, and they like different kinds of music. So, you can’t get caught in your own archetypal condition. Otherwise, you’ll "tunk a low parzen."
 

Bob 50:37
Yeah, I don’t know if I do that.

Carolyn 50:37
Look at iON giving you advice.
 

Bob 50:39
Yeah, iON’s a horrible DJ. Okay, listen to this iON.
 

iON 50:44
Don’t start with us. We got some hook – we can hook this up. We got one that will play, too. Just so you know. Just sayin’.

Bob 50:51
Yeah, yeah. So here’s someone who wrote a poem about this show or about Dobbstown.

iON 50:55
Awwwww.

Bob 50:55
Then you go to Dobbstown. Listen to this. Then you go to Dobbstown where the folks are broke. You go to Dobbstown where your life’s a joke. You go to Dobbstown, yes, you go to Dobbstown where the cabs don’t stop. Dobbstown where the food is slop. To Dobbstown where the hot heads flop in the snow. So I live in Dobbstown, that’s your home address. You live in Dobbstown when your life’s a mess. You live in Dobbstown, where depression’s just status quo. Where depression’s just, j-e-s, status quo down on Skid Row. Someone show me a way to get out of here because I constantly pray I’ll get out of here. Please won’t somebody say I’ll get out of here. Someone give me my shot or I’ll not hear. This is a modern Egyptian Book of the Dead Dobbstown, Carolyn. Dobbstown, there’s no rules for us. Show me how and I will. I’ll get out of here. Dobbstown because it’s dangerous. I’ll start climbing up, up the hill and get out of here. Dobbstown where the rainbow’s just a no-show. That’s pretty funny. And then there’s a rubric for it. You know, how to apply it that Cheri posted. So there’s a very nice poem there TTFN. What is TT? Thank God it’s Friday or some – TTFN – total, obscene word, obscene word, neurosis. TTFN. Okay. I think we’re – I’ll just check the – wait, wait. We have a question period. Okay, so maybe a little music before the question period, right? That’d be good. I think we’d have a – play something. So iON said I gotta pick the right song. What could be excellent? I don’t think I haven’t had – played everything so many times. It’s sort of – I think we need new music.

iON 52:56
Only have one liberation. That’s the problem. You gotta have a multi, a multiverse.

Bob 53:03
Right. Right. This is – geezes – really scraping the barrel here. Not much music left. Thousand songs we played so many hours that everything’s familiar. What’s something that nobody’s ever heard? No, not that one. All right, this one.

iON 53:34
No, no, no. Not that one, the other one.

Bob 53:36
I agree. Not that one, the other one. That’s right. I almost clicked on it. That was close.

iON 53:44
That would have gone badly.

Bob 53:46
Yes. All right. This is a good one.

Music 53:50
(Fernando by ABBA, then piano, then beginning of rock tune plays)

2100

Music 0:00
(various songs)

Bob 16:30
Okay, we’re back. Ready for interrogation of Carolyn and iON of about what was presented.

iON 16:37
Okay.

Bob 17:21
So, I will mute a few people. Okay, let’s see. We got Roy – Germaine, Roy, Leon, Sarah, anonymous, Scott, South Africa. That’s about it for now. Anybody got any questions about the Egyptian Book of Bob Dead? I see Sarah wants to say something. Go ahead. Gotta stay on the topic, Sarah.

Sarah 17:56
Hi Bob. I just called in.

Bob 18:00
Did you hear The Book of the Bob Dead?

Sarah 18:03
I did last week. Not this, not today.

Bob 18:07
Okay, we’ll put you back on mute. Anybody else got somethin’ to say about what we – what they activated?

Jack 18:13
Yeah, I do. I want to say something.

Bob 18:15
Go ahead, Jack.

Jack 18:16
So, we’re reading the Egyptian Book of the Dead today. And it said it’s the end of the beginning. So, they see it as – that book now what we’re referring to – kind of, kind of coming together of what’s happening right now has? You know, is that kind of why we’re reading that right now? Because it’s actually – it correlates with what’s happening in society right now?

iON 18:41
Not society. Not society, but in the world.

Jack 18:45
In the world, okay.

iON 18:45
Not society. Societal woes have always been uncommonly wrong. See, that’ll never hold. But beyond that, then yeah, exactly right.

Jack 18:59
Okay, so then, if, since now we’re at the beginning of the end, and now we’re in the middle, what is the beginning process of the middle? Is that the process of individuals living as ascended beings? Is that what the middle is now?

iON 19:12
Maybe, maybe. We’re gonna see what you do with it. You see, we would have never in 10,000 years given your power back and expected you to put it back into a black mirror, into a Tech Body. You had your power and you gave it back again! So, even if, even at the Preakness, we wouldn’t put money on that, that nose of that beast; but yet, you did. So, it’s a new twist. You go now: wait a minute, wait a minute, wait a minute, wait a minute. We went from the Revelation to the Genesis. All is prescribed. It’s all known, it’s all worked out. But you can’t – you find references to the Tech Body. Zippy, zappy, zopy did it. He figured out what the hexad ic tarantula was all about. He was able to figure that out. You all weren’t. That’s okay. It was all laid out. So it’s all bumping the nice chewing gum. It’s like, you picked up the piece of gum and you know how it’s gonna chew. Only, this time sometimes you get choked on the gum, and you’re not sure, you see. That’s the difference. You’re not – this isn’t not prescribed. You’re getting quickly into a place that’s not a prescription.

Jack 20:25
Okay.

iON 20:25
You understand?

Jack 20:27
Okay, yeah, I understand. So, is that why now you guys are wanting, creating, like – talkin’ about creating, like, an ascension app because now that we’re in the middle, if these people don’t get with it, they’re going to die anyway.

iON 20:40
Yeah. And see, you got to read – you have to watch the difference in us. Are we not the sweetest, kindest, most loving thang you ever – pat you on the head, and relax and allow, and everything’s all right, and don’t worry about nothing, and we got you, blah blah blah. Do you notice our words aren’t quite so soft these days?

Jack 21:06
Yeah.

iON 21:07
You’ve given so much of your power away, we almost don’t care. What? What? No, it’s almost to the point where it’s like: Hey, this is your shit. Fix your shit. This ain’t our shit. Fix your shit. Okay, you want to know how to fix your shit? Okay, we’ll help you, but that’s your shit. That ain’t our shit. You fucked it up, so get it right. It’s your world. That’s stunning, because that’s not what nonphysical would do.

Jack 21:39
So, the changing in that is that – is there anything that, say like, hey, the environment or the mood that we’re living in is changing so much, if you tap into your power, you can almost live in a, in a world full of bliss. Is that why, it’s like, you’re right here. You guys are so fucking stupid, I’m not even gonna – if you don’t want to do it, your fault. You’re going to miss out at the buffet, like you say.

iON 22:01
If you’re having a, if you’re having a, if you’re having a phone conversation, and you’re wondering whether or not you’re being recorded, what you should know is that you’re always being recorded. Right? And if you know that up front, then there’s never an issue, right? Never a problem because the Tech Body provides you the impetus to know that all is recorded. You see? And that’s great, because if you know that up front, then you know that’s up, you know what’s up. But, see, decorum being the better part of valour would never allow that to say that that’s what’s necessary. You see? So, that’s – you see the difference? You see now, is that a problem? Naw, ain’t no trouble. But do you know the difference? You see? But you have to be careful, because then sometimes them words will change on you. Heh heh heh heh.

Jack 22:56
Yeah.

iON 22:56
Especially with us. But that’s not the point. The point is the example was a great example to tell you how this actually applies. You’re looking for the trebler. It’s what you’re looking for. And you’re asking the right question, which is appropriate, but it’s to the wrong end. The wrong end is you’re trying to juxtapose the actions based on where the now is. And you still don’t know where the now is. Got that? See, so, a needle pulling thread, so, fa so la, fa fa so, so me fa so so. Well, wrong conversation. But now you see, it opens up to a new level of, we could say, capacity. Because now you’re gauging your place from where you were, not from where you are. So, the only way – look here. Basically, it’s all laid out of exactly how it’s gonna go. So why then do you always constantly – now this isn’t you, baby. I’m not doing this to you, I’m asking a question and the bigger context, but I gotta be firm about it. So, I can speak firm with you, ‘cuz, ‘cuz you’re my niggar and I fucks with you, so it’s all right. Because now what happens is, now what happens is, now what happens is we come to a place where you can say: Okay, now you’ve got it outlined, why then do you require a rear view mirror to prove you’re going into the future?

Jack 24:28
Hmm.

iON 24:30
See the rub?

Jack 24:32
Mm hmm.

iON 24:34
Well, no, iON wouldn’t say it that way. Do you see the potential rub?

Jack 24:40
Yes. So –

iON 24:42
Because now what happens is – go ahead.

Jack 24:46
No, sorry, continue. I’m sorry.

iON 24:49
So, now what you’re dealing with is if that’s true, you don’t, obviously, you don’t require that. But if you’re using that as your reason – looking for a reason – now you’re trying to find a prescription for a prescription that you can prescribe. A prescription that you can prescribe. Then you waul along here and you get, you fuck somethin’ up, you don’t know what’s up, and you’re messed up, and blah blah blah. And iON said jump over the moon, and the cow jumped over the moon, so you should be able to jump over the moon, too. And there is a green man with cheese. He lives in the man in the moon, it’s made of cheese. And, and, and we say all those things like well, well, well. But that’s not even the issue, see? The issue is is how does it apply to you? How do you get yours right? Okay? And that’s what we’ve been talking about appropriately. They’ll give you the index. Now you’re gonna have the Book of the Dead that’s going to give you the radical position that allows you to apply your new, new, new, new, new knowings.

Jack 25:55
Yep. Yep.

iON 25:55
And what that’s about is the know-how to navigate. So, you got a warehouse full of bullshit you’re trying to work out the details of. And you got it, and you don’t. You fix a new hat, you know and you don’t, and rah, rah, rah. Okay, that’s all fine. Then you kick it around just a little bit and the next thing you know, some – one thing changes, and then everything’s afoot. All right? But sometimes, sometimes you have to go to the outhouse to realize that the world is made of shit.

Jack 26:24
Mm hmm. So that’s, so that’s why right now that Occam’s razor, Occam’s razor is so important. Because like you said, We are here now we’re at that place of, you know, coming back to where we were God, so, our – so this is my question: So, are our thoughts – when you have a thought, right? Does that thought go into a vibrational energy and then turn into something that’s happening in your meatsack body?

iON 26:54
It’s, it’s how you know it. Some say that’s intuition. Now, Carolyn does it probably the best of anybody ever, ever, ever. But she doesn’t even know she does it. See, she lines up to it. And she knows when somethin’s gonna go afoot, so she’ll leave that alone because she don’t want to deal with any unpleasantness. You see? Now, what’s wrong with that? Nothing. It’s working for her. Would it work for you? Probably not. Will it work for Bob? Hell, no. He ain’t gonna, he’s gonna spend all his time figuring it. He won’t know anything, he’s trying to figure. She’s not trying to figure. She’s moving with it. And that’s good. Okay.

Jack 27:40
So, is that why when, for example, as humans are gods, we make a thought. And the angels can fuck with us because – for example; with me, when I talk to the angels, I think I’m doing something and I think what’s happening in my meatsack body because of the angels, but if I’m not in my – I lost my train of thought. I lost my train of thought. So, can the angels fuck with you, by you as a human creator, thinking you know something and if you don’t know it, they’re just – the angels can fuck with you that way?

iON 28:08
Yes. Hell yeah. Hell yeah. Yeah, yeah, yeah. And then, and then society says: "Oh, well, here’s what you gotta do. You gotta fake it till you make it." Okay, there ain’t nothin’ wrong with that. That’s fine, fake it, but don’t think the devil don’t know or the angel don’t know or he’s an angel, he’s the devil. The whole point is don’t think they don’t know. So, as long as you understand they know, then yeah, we giggy with it, it’s all good. Heh heh. See?

Jack 28:34
Okay, so that’s-

iON 28:35
It keeps the heat out of the fire.

Jack 28:38
Yeah. So, so that’s why now if you’re able to – ‘cuz you said use the Keys correctly – you know you literally can have and be and do whatever you want because you’re in your knowing. You know what it is now. As you said, I don’t need to look in the rearview mirror now to know that where we are right now.

iON 28:58
To prove.

Jack 28:59
To prove. Yeah, yeah.

iON 28:59
Now see, you glance to see what’s coming at you, but a lot of people will gauge to say: Look where we were. Look how it was back then. Wasn’t it wonderful? Carolyn, you remember back in 1940 when we were just little girls and running around and school? And remember, Carolyn, when we was over here, somewhere, remember looking back? See? It’s ridiculous. Remember all the people we killed? Well, no, Bob. You killed them all. We just had to put the bodies away. Yeah, but you remember all it? Yeah. You remember all this that we’ve done? Yeah. Yeah. This life, it’s been so wonderfull. Isn’t it great that I created all this? Bob, what did we create? I don’t remember, but it was really great whatever it was. That was good then when it was. Sure, right. You see how you can have – heh heh heh heh. Well, we’re poking on purpose because we can poke at Bob more than everybody else and he doesn’t remember long; so, it’s all good. It’s fleeting, so we don’t have to worry. But you see the point? The point is, you gotta know what you know. Now you got to apply what you know. As you apply to what you know to what you done or been or into, then you know that whether or not you’ve whopped the lion or the bear when it’s time to slay the lion.

Jack 29:29
Mm hmm. So, what is the best way to apply what you know in this world now with a –

iON 30:24
Ascend.

Jack 30:25
Ascend. Okay. And then as far as now where we are, how does this relate to Bob in the Church of the SubGenius? Is, like, pretty much the thing that they created back then is that also kind of like where we are now?

iON 30:43
No. See, Reverend Stang made fun of it. See, the SubGenius was what – that was the antiphonal part. That was the funny thing. They were just playing, spoofing, being, being crazy. And Bob took it and made it personal. It’s like, well, of course that’s exactly right because I created it. And they’re like, no, you didn’t. Yes, you did. No, you didn’t. Yes, you did. And then it became a whole nonmoving movement, this thing. And, so, he just – he riffed on that place or position and they took it personal. Well, now, for Bob, now you validated me, Bob. See?

Jack 31:22
Okay, yes.

Bob 31:25
Okay, Jack, let’s ask someone else. Very good questions.

Jack 31:29
Thank you.

iON 31:31
That was pretty good though. Move your microphone down, Bob. Move your microphone down.

Bob 31:38
Oh, yeah, microphone, where is it? Oh, I got the headphones on. Oh, sorry. Okay, very good, Jack. Let’s move to someone else here. Anyone want to speak?

iON 31:54
Hey, hey, Bob. Hey, Bob. Bob. Bob. He’s gettin’ smarter. He’s gettin’ smarter in – you know how he used to be just dumb as dirt? He’s not dumb as dirt no more. It’s good.

Bob 32:04
That’s because he’s here with me. He spent a couple days with me, that’s the only reason.

iON 32:10
Ohhhh, well, that’ll do it. That’s apparent. That’s a good – it’s rubbed off because now what happens is he integrally expounds the condition. You know what that means, Bob?

Bob 32:24
He has a sort of a gestalt grasp of some basics that he got from me. He got on the ground floor.

iON 32:30
Great, but guess what? Now he realizes there’s an elevator.

Bob 32:36
Yes, that’s right. Now we’ll see what happens.

iON 32:40
Now that’s good. Now, and now what happens is he’s got to calculate which floor he’s on.

Bob 32:45
Yeah.

iON 32:45
Because with you, sometimes you come in at the penthouse and you’re going only going down from here. And sometimes you’re in the subbasement. It’s only up from here. So, sometimes we jokingly laugh and we say, well, it’s a race to the bottom. Well that’s sometimes because it is. But here’s the good news. The good news is that the inside meatsack body doesn’t fail him. So, therefore, his mind can’t quite defeat him.

Bob 33:12
Can’t quite what?

iON 33:14
Defeat him.

Bob 33:16
Defeat him. Can’t defeat him. Okay.

iON 33:19
Can’t defeat, like can’t be – can’t whop him.

Bob 33:22
Okay, very good.

iON 33:25
Sometimes people need – sometimes people need to go to the woodshed and get a whopping. Give them a whopping. Sometimes that’s what they need. Well, he don’t need that. He recognizes it before it gets ugly. So that’s beautiful. You did good. Hey, Bob, you’re smart. Put him down in the book. Might hang out. It might be all right.

Bob 33:42
What? Say it again.

iON 33:47
Put him in the book, he might be all right. He might be all right.

Bob 33:49
Well, he got knocked around and he came through okay. Germaine did.

iON 33:55
Okay.

Bob 33:55
Germaine’s better though. Germaine, man –

iON 34:02
You know what? That’s right, that’s true. It’s them, it’s them damn Renner, damn Renner, that damn Renner, damn Renner girls, that’s the only thing that (indistinct).

Bob 34:09
Yeah, Jack’s operating at a disadvantage. That’s the problem there. You know he’s from the East Coast. Doesn’t have no West Coast vibe in him, naturally. He had to build it.

iON 34:19
Coast? Yeah. Coast to Coast. Wait, no, that’s not him. He died. That dude died. Yeah, he died, Coast to Coast.

Bob 34:23
Yes. Okay, so let’s see. Is there someone else? Not Germaine.

iON 34:28
Art Bell. Art Bell. Art Bell, somewhere in time.

Bob 34:33
Heh heh heh. Is Art Bell on the line? Okay, somebody –

iON 34:37
Hell no. He bit it. He bit it hard. He ain’t nobody.

Bob 34:40
Okay, Alissa.

Germaine 34:41
I have a question. Okay.

Bob 34:44
Well, we’re gonna wait for a minute. That’ll be – let’s just hold that off. It has to be about the Book of the Dead. Is that what it is?

Germaine 34:51
Yeah, yeah.

Bob 34:53
Okay, let me just check with the –

Germaine 34:54
What I heard.

Bob 34:55
Just a minute. Has Alissa got a question about the Book of the Dead? Did you hear it Alissa?

Alissa 35:03
I heard it but I’m behind in my notes. I’m back a week. So you can – I’ll

Bob 35:09
You have a question on what you heard?

iON 35:11
She’s got a weak back, Bob. A weak back.

Bob 35:16
Yeah, weak back.

Alissa 35:17
Weak back. Ha ha ha ha. I’ve got a weak back. Ha ha.

Bob 35:20
You didn’t take it in. You have to study it to get a question.

Alissa 35:25
I mean, –

iON 35:26
She likes – Bob, stop. She likes to shine. If she stumbles in, you’re gonna accuse her of being sloppy, and she’s not sloppy. So, why are you gonna lead her in the – resist not temptation. Go into the deep end, and then he’ll have you marked off, you’ll be in the back list. You’ll be back with the, with the, with the cheap seats, never having to sit on the line for 99 hours. "Well, you didn’t bother to look at the text so you don’t know what’s going on. And you don’t have a mic, and your phone’s no good, and you mind’s not right, and your sip is sticky, and your sissy is sip, and I don’t know why you’re involved in this. It might be – "

Bob 36:08
Well, Alissa, do you got something from last week? Do you have a question about last week?

Alissa 36:13
Ah –

iON 36:14
She’s gonna double down for less. She’s gonna double down for less.

Bob 36:17
Okay, we’re not waiting around. We’ll get back to you Alissa. Okay, –

iON 36:20
Correct.

Bob 36:20
– anonymous came in. You have something to say? Anonymous?

Anonymous 36:28
(music plays)

iON 36:28
Ah! Oooh. Yeah. Wow.

Bob 36:44
Looks like they’re not communicating. You like that music?

iON 36:48
That’s McLean Virginia.

Bob 36:51
Yeah, that might be WPRO or something, but it doesn’t say that. Okay, ah –

iON 36:56
WKRP in Cincinnati.

Bob 37:00
Yes. Somebody else got somethin’ to say about what we’ve heard? (then a pause)

iON 37:10
Blupe. It goes blupe then start talking.

Bob 37:11
South Africa?

iON 37:11
It goes blupe. (pause) New Brunswick? Ithica. Ithica, Ithica. Come in, Ithica.

Bob 37:29
Somebody’s speaking, I think, unless it’s the other channel for you.

iON 37:35
You have to push the button. See y’all, he does this like there’s only four people on the line. It’s so funny. He mutes everybody and they’re screamin’, they’re apoplectic, havin’ a nervous breakdown tryin’ to get through. And he says he can’t get any – "Carolyn(!), Carolyn(!), we can’t get anybody to talk. There’s only three people here. It’s worse than Monday night. I don’t know what we’re goin’ to do. This is terrible, I don’t know how it’s goin’ to work!" And people are screaming ‘cuz they had to sit for 99 hours and couldn’t say a word and they had to have topical references, gettin’ on the board, screamin’ and hollerin’ and writin’ Bill curse letters. Oh, it’s just ridiculous.

Carolyn 38:10
(laughs in background)

Bob 38:10
Okay, let’s see. Is there – okay, James is supposed to come in, but I was gonna have James do – talk after the Book of the Dead stuff. So, Scott, do you have any to say?

Scott 38:30
No, I don’t think so. I’m just –

Bob 38:34
What do you think of the Egyptian Book of the Dead? You know about it? You familiar with it?

Scott 38:39
Yeah, I’ve heard of it. I mean, it used to be back in the 60s people used to be into it and, and they were also, you know, into the Tibetan Book of the Dead and stuff like that. And I think more of the Tibetan Book of the Dead than the Egyptian, but there are a few people that were reading the Egyptian.

iON 39:00
That’s right. That’s right.

Bob 39:00
But, also, aren’t you appreciative of, aren’t you appreciative of what iON’s saying about the Book?

Scott 39:11
I don’t really, I don’t really know that much about it. I mean, I don’t if I_(indistinct).

Bob 39:16
No, we don’t know anything about it. We’re learning. Are you learning anything about it?

Scott 39:22
Well, I guess the stuff about the, you know, about the Tech Body was interesting last week. So –

Bob 39:32
Yes. Was there anything about the Tech Body this week, iON? I thought there was.

iON 39:37
Yes, there is.

Bob 39:39
Yeah. There was. Okay. And Scott missed that part, I guess, or he didn’t get it.

iON 39:44
Oh no, it was, it was a bit, it was ambivalent. It wasn’t like a rage. If he listens to it again. And he actually does, so it’s good ‘cuz you can kind of get a feel for it because there’s little tidbits hiding, always, in plain sight.

Bob 39:58
Okay, so we’re forced to go to Germaine. She’s the only one that got something to say. Go ahead, Germaine.

Germaine 40:04
No, well, I heard that you guys said that the Tech Body came from the underworld. Why –

iON 40:13
Well, the underworld, meaning the world down under.

Germaine 40:18
Yeah, that’s what I wanted to ask.

iON 40:19
That not quite the same meaning. Yeah, yeah. Right.

Germaine 40:22
What is what is that? What is the world down under?

iON 40:27
Okay, we described it early, early on. It’s like inner kingdom, outer kingdom and middle kingdom. Okay, like those levels, like in the throne, the actual tabernacle, the actual – what do you call that place – the temple. The temple has three chambers and so, too, you have three chambers. And so, this is an abject version of that experience only it’s dealing with the departed. Like, you’ve been given a life and if you’re not good with your life, meaning you waste it, or you’re stupid with it, or you kill yourself, or decide to ascend and don’t make it and kill yourself, or I’m sick and tired of this, I don’t want to do this anymore. But, you know, the normal rub. You go with that for a while and if you get in that condition, then you gotta have the Book of the Dead to figure it out. Now – or, if you notice how they do it, they have someone do it for you in your stead. And that’s the Lazarus project that we talked about an infinitum of how to bring people back from the dead. That’s the point. So, the reason we’re doing the Book of the Dead, so you num-nut motherfuckers can’t say we didn’t tell you how to do it. And then we’re gonna say: "How many people have you raised from the dead this week?" And they’re gonna go: "Ah, ah, ah." And we’re, like: "Get thou from before me. I do not know you." There’s a quiz.

Germaine 41:53
Mmm. Okay, that was great.

iON 41:55
Yeah. There’s a quiz. Good. Good. Good question, darlin’.

Germaine 41:59
Okay. Thank you. And I’m gonna listen back to that because that was a lot. Thank you.

Bob 42:07
Okay, good.

iON 42:07
Well, sometimes, see, when you get involved, it gets cleaned up a little bit. It’s like Costa Rica. You gotta go there to figure it out.

Germaine 42:14
Oh, no, remember we said I don’t, I don’t have to go to places to figure it out anymore.

iON 42:19
I understand, but sometimes you do. And that’s why it worked out well because you were able to.

Germaine 42:28
Go, okay. True. True dat.

Bob 42:32
Okay. All right. Thank you, Germaine.

Germaine 42:36
Thank you.

Bob 42:37
(Bob opens line. Music, so mutes it, opens other line) Okay, and Roy. Do you have anthing to say, Roy?

iON 42:46
Go back, that was good. See, that’s easy, Bob. McLean’s got the whole thing lined up, so anytime you need music, just pop there, and you got it. They ain’t goin’ say anything about it.

Bob 42:55
Why are you saying McLean?

iON 42:59
It’s, that’s where the noise is coming from.

Bob 43:04
Oh, okay. McLean, Virginia?

iON 43:07
Ah huh.

Bob 43:08
Okay. Roy, do you have anything to say?

iON 43:10
Your audience, your audience awaits, Bob.

Bob 43:14
Yeah. Okay. We’re getting ready for post-Dead Bob Book.

iON 43:25
Malone? He’s not even – he’s ridiculous, Post Malone.

Bob 43:29
So, we’re waiting for James to call in. James’ supposed to be the first after the Book.

iON 43:35
Do you want us to wake him up? We can wake him up. We can always do Bert. Bert’s got some stuff. Carolyn’s still awake.

Bob 43:42
Yeah, yeah, we’ll get to that. But –

Carolyn 43:44
(laughs in background)

iON 43:45
Ha ha ha ha ha.

Bob 43:48
I promised somebody. I promised James, so – Roy has nothing to say. How about Leon? You got anything to say about the Book of the Dead, Leon? (pause)

iON 44:11
Bob makes too many promises.

Bob 44:13
Heh heh heh. Okay. So, let’s see. So, James, have you called in? I don’t see James’ –

iON 44:23
How would he know if you’ve got him on mute?

Bob 44:27
No, I know. Most people are not muted.

iON 44:32
Oh. Except the music channel’s muted. We know that.

Bob 44:40
What did you say?

iON 44:40
Except anonymous. The music channel’s muted.

Announcer 44:45
Meet Phil. Hello? Phil is trying to invent –

iON 44:50
Hello Phil.

Announcer 44:50
– an energy efficient candescent lightbulb. How did you get in my house? Phil doesn’t know – (muted)

Bob 44:54
Can you take the sound off?

iON 45:04
Uh uh.

Announcer 44:58
(unmuted) shrunken LED. Look for the PSE logo in retail lighting aisles. For instance discount.

Bob 45:07
Somebody said hello. It sounded like on that line. Somebody else say hello?

iON 45:16
You had them at hello, Bob.

Bob 45:18
How about this one. Hello?

iON 45:19
You had them at hello. Hello. You had them at hello. Hello, Heller. Hallelujah.

Announcer 45:28
– models that can work and adjust settings while you’re –

iON 45:33
Adjust the settings while you’re away, Bob.

Bob 45:36
Beg your pardon?

iON 45:37
Commercial. Commercial! Commercial.

Bob 45:37
Ha ha. Oh, James says two minutes. Oh, okay, that’s looking up.

iON 45:47
Give him two minutes so he can lift a lolly. Well, he (overtalk). We’re gonna chap him. We gonna chap him. We gonna trap him. He better get right with God. Don’t mess with us. We’re paying twenty dollars an hour. We don’t waste no time.

Bob 46:01
(overtalk with iON) Yeah, we’re gonna. We’re going to play some music! Play some music. While we’re waiting, play some music –

iON 46:00
Twenty dollars.

Bob 46:04
He likes Zappa. He’ll like this.

Music 46:04
(Two songs played)

Bob 52:06
Steve out there in California says: "Sitting in the dark in California. Shut down due to high winds. Right, there is no wind. Gee, thanks Tech Body." So, Steve’s suffering under the California scene. Okay, well, maybe he’ll tell us more. Meanwhile, waitin’ for James. I don’t think this is James. (Opens line: music plays, closes line.) That’s not James. Where’s James?

iON 52:37
They play better music than you, Bob.

Bob 52:40
Beg your pardon?

iON 52:41
They play better music than you, Bob.

Bob 52:44
So?

Carolyn 52:47
(laughs in background)

iON 52:47
I’m just noting.

Bob 52:49
Yeah, well, we’re not following your standards of approval or whatever you’re projecting.

iON 52:54
Oh, granted for now. Yeah, right.

Bob 52:57
Heh heh heh. Yeah, you don’t have any control over social motar.

iON 53:03
Oh, and don’t require it. Y’all’s social mortar is so morticious.

Bob 53:09
Right. I’m gonna scroll down here and see. Ali: "It’s been three hours since Trump posted something very big that just happened. He has not added one more tweet." And then, so, if I go over here to general tweets, Trump –

iON 53:34
Ha ha ha ha ha.

Bob 53:34
– to see what the news is saying, news response. We’re still waiting, James. The first thing that comes up: "The 65 worst Trump tweets of the 2010s .And, "The White House really isn’t backing down from the human scum thing." Ha ha ha. I mean, iOn called someone, no, Trump called someone, he was scum. "Republicans quit trying to rein in Trump." It doesn’t seem to be much news on that point. So, maybe I should put in: "Something big happened." Something big. See if that brings in somethin’.

Carolyn 54:21
(in background) I already told you that.

Bob 54:22
Yeah, I know. I just wanted to see if there is anything new. Nothing. I can’t find anything on it. So, back to our scene here. Are you there, James? (pause) James gonna fuck up again? Can’t get his computer to work? I think we should just called James. Let’s just call him for fuck sake. Let me see. I got his number. Fucking guy. Avoiding his responsibility for fuckin’ years. Let’s see. There it is. Okay, James. I’m calling you.

Carolyn 55:02
(in background) Let me get off.

Bob 54:59
Yeah. Trying to give James one more chance. (pause)

Music 55:34
(music plays)

Bob 58:15
Hello, iON.

James 58:18
Hello. Hello everyone. Hello, iON.

iON 58:21
Hey.

Bob 58:22
Okay, so, iON, I was playing while talking to James. In the ether, I was playing the commercial station. How was the music?

iON 58:34
Beautiful. Very nice. Kinda melodious. Got a nice upper beat, an inside up beat. Yeah, it wasn’t bad.

Bob 58:41
Heh heh heh. Yes, Cheri says it’s Mos Def, "Ms. Fat Booty." I don’t know if that’s true, Cheri, since I didn’t play it. Now, Leon, –

iON 58:53
Fat Booty. Fat booties are nice. Fat booties are nice.

Bob 58:54
Yeah. Okay. Leon, you’re pleading to give you one more chance, Leon? (pause) He typed in. "One more chance, Bobby, give me one more chance." "It not good," to Leon.

iON 59:22
Next. Let’s go.

Bob 59:23
Oh, there’s, there’s the giggle. Okay, Leon. What are you doing?

Leon 59:28
It’s a song, Bobby.

Bob 59:31
What?

Leon 59:31
It’s a song. Do you hear me properly?

Bob 59:36
Yes, I hear you, but I hear no music.

Leon 59:40
Oh, yeah. Well, I have no music.

Bob 59:42
Okay, just a second. Speak. Let’s see if I can hear you better.

Leon 59:49
Speak. Speak.

Bob 59:52
Nothing’s coming through. Oh, maybe the volume’s gotta be up. Okay. Just second there, Leon.

Leon 59:56
Is that okay?