Transcribed by Nan
1800
Carolyn 0:00
Okay, I’m gonna start.
Bob 0:00
Yeah.
iON 0:00
Rios. Brioche.
Bob 0:00
4:14, Carolyn. Remember.
iON 0:02
You gotta, you gotta tell, you gotta tell everybody what page you on and where you startin’, darlin’.
Carolyn 0:10
Well, yeah, iON figured it out. It’s page 44 which is twice of 22. So it’s a perfect number. And the chapter begins with saying the words in capital letters: "THE CHAPTER OF BEING TRANSFORMED INTO THE PRINCE OF THE TCHATCHAU CHIEFS."
Bob 0:32
Tchatchau. Tchatchau Chiefs.
Carolyn 0:34
Tchatchau.
iON 0:34
Tchatchau. Tchatchau.
Bob 0:34
And we started at 4:14 which is 144 there, Carolyn, 144.
Carolyn 0:40
Okay, let’s go.
iON 0:41
And a half. Mm hmm.
Carolyn 0:42
Aaah.
Bob 0:43
Go ahead. I’ll start recording.
Carolyn 0:46
Ha ha ha. "The Osiris Nu, whose word is truth saith:- I am the god Tem, the maker of the sky," iON, have we heard of Tem before?
iON 1:03
Yeah, yeah, yeah. Remember, it becomes this, this is what, this is the author of the River Styx. It’s what that comes from, where the river flows from. You know, Carly Simon’s song, "Let the River Run." That’s what she meant.
Carolyn 1:20
Okay. So, the maker of the – "I am the god Tem, the maker of the sky, the creator of the things which are, who cometh forth from the earth, who made the seed of man to come into being, the Lord (Carolyn: capital "L") of things, who fashioned the gods, the Great God, (Carolyn: two capital "G’s") who created himself, the Lord of Life," Okay, so is this us creating ourselves now or are we speaking creating –
iON 1:55
Well, well, no, no, no, no, no, we, wait, no, hold on. This is the merging of the comparison or the hooking up from the land of the dead to the land of the living.
Carolyn 2:09
Yeah.
iON 2:10
You see? Reba McGuire, that’s Dottie Rambo’s girl, her baby girl sang it about God’s peculiar people who were not.
Carolyn 2:19
Yes, yes.
iON 2:19
We’re not the seed of Abraham, we’re not the sons of God. The chosen generation. Now this is where you start having a merging of something on this side of the road, seeing something on the other side of the road. And what’s being spoken about here is to them on the far side of the road where the dead people live. But now if you notice, if anybody’s looked around, especially you Robyn. Robyn, Robyn! Pay attention. Especially Robyn, seeing all them dead people that she’s been looking at lately, wonderin’ if them people dead or not. Darlin’, they are stone-cold, bat shit dead. Most of them, they’re dead; they are dead. So, this is what you’re wondering; where are all this coming from? This is why they don’t need any resuscitation or nutrition, ‘cuz they’re dead. That’s the point. So, this is where you’re startin’ to merge those worlds. Now, insightful people, Carolyn, you’ve met some of them in your span. Just ‘cuz you draw the weirdos sometime in your world more so than most folks. You’ve known people who have access to the dead. They talk to the dead, they see the dead, they engage with the dead. They see things and blah, blah, blah. You know, like in the show, "Preacher," where his mama says, "What do you want? What will you do?" "I’ll do anything." And she looks and cucks her little nose and she says, "You’ll do anything?" Meaning, I gotcha now, ‘cuz, see, what she wanted was souls. This is what this is about now. It’s about souls because those unrealized creations hold power. Just like the angels don’t want you to have your power. Ooh Lord, no, they don’t wanna work. It’s like Shoney’s Big Boy. They just want you to drive by, they don’t want you to come in and eat. Somebody gotta wash them dishes if they come in and eat. So what’s the point here? This is the reference that says, oh, there’s a point between where god engages with the dead and the live, and those becoming on this side of the river. The fashioning of gods.
Carolyn 4:38
Okay, however, that implies that there’s an external god and the god isn’t us, yet.
iON 4:49
Well, it’s the becoming. Who fashioned the little "g" gods, the great God who created himself, the Lord of Life.
Carolyn 4:59
Yeah. Okay.
iON 5:00
See? "who made to flourish the Two Companies of the Gods." See, the Two Companies are the – now that, now, some would say quickly that that had to do with hendiadys, but this is not what that’s quite saying. It’s just saying you’re a god and you don’t know it. So, the Two Companies engaged of the gods, that’s where the homage would have to go. ‘Cuz you’re divine on both sides, the "holy beings whose seats are veiled." See, you don’t know it. And so this is that rub up, rubbing up because there’s only one god: you’re it. Now, if we can get you to god, we ain’t worried about nobody else.
Carolyn 5:47
So it’s almost like the the small "g" on the other side is really a big "G" and doesn’t know it, and is just acting like a small "g."
iON 5:58
Yeah. It’s becoming. It’s becoming Yeah, it’s becoming. And that’s beautiful because that’s what we’ve been saying all along. You’ve – y’all ascended! You made it. Hooray. Halllelujah.
Carolyn 6:10
Mm hmm.
iON 6:10
And then you don’t know.
Carolyn 6:11
Yeah.
iON 6:11
Then you fall off and fucking die. We’re like, well, damn, there goes another one. Okay good You got it.
Carolyn 6:18
Yeah. Okay.
iON 6:19
You can’t die you’re taking ReMag. How do people – somebody on ReMag dies. Ridiculous.
Carolyn 6:23
Heh heh heh. Continuing. Oh well, I’ve read a lot of words there. Let’s see where we had been. Oh darn, I lost it. What’s today? June 20 –
iON 6:41
Six and 11, 144 minus two an 8/16th and 3/30nds. Yeah 3/30nds of 11 –
Carolyn 6:51
Yeah, yeah, I got it.
iON 6:52
The 27th! The 27th.
Carolyn 6:53
Got it, got it. Okay,
iON 6:56
Yeah, 5, 21.
Carolyn 6:58
Okay. "the Great God, who created himself, the Lord of Life, (Carolyn: So, you gave a wonderful explanation. Continuing) who made to flourish the Two Companies of the Gods. (Carolyn: okay) Homage to you, O ye divine Lords of things, (Carolyn: capital "L") ye holy beings, whose seats are veiled! Homage to you, O ye Lords of Eternity, (Carolyn: capital "E" ‘cuz we live forever) whose forms are concealed, whose sanctuaries are mysteries, whose places of abode are not known!" Why don’t we –
iON 7:36
Right. That’s what, that’s what Bert ran into. Because that’s what Bert ran into. He’s waking up in strange places, Carolyn. We think he’s been, he’s been in the communion wine again, but not really. He hasn’t been in the communion wine, but he’s waking up in strange places. So, he’s finding some of these strange things that he’s bumping into. He’s like, "What the hell? How did I get there?" But don’t worry ‘cuz he knows them OA movements, so he can ease right on back home.
Carolyn 8:03
Ah, yeah.
iON 8:04
But that’s, this is where some of this is being – you’re pimping into this place where you’re seeing things. Now, Bob Carr said, he told, foretold of all these mysteries, these canonical mysteries when he was in the dope. What is that dope? Brown tabs of acid. Yeah, dropping a brown tab, and these trip, trip, slip, grip, flip, whatever that is. But that’s not genuine, that’s the fictitious side. It just drops your inhibition. Okay? That’s the psychotropics. So that psychotropic is what lets you feel it, but it doesn’t let you know it. You can trip or bad trip, but it’s not somethin’ that’s yours. You can’t have it. See, it’s fleeting. You know, the mushrooms don’t really talk to you or sing or the grass doesn’t really try to stab you or whatever other bad things are. But that’s the psychedelic, psychotrophic aspect that can be a larger dimension. But that’s what this is talkin’ about. That’s what Bob was trying, Bob Carr, was trying to say, what he’s trying to make reference to. But like his diluted little self in Mumbai, he don’t know shit. So, pass that, it was a good run. It was a good run right up to that part.
Carolyn 9:22
So, yes, what you’re saying is mushroom psychedelics, they gave you a feeling of what you really –
iON 9:30
Euphoria.
Carolyn 9:31
– want to be doing which was ascending.
iON 9:34
Uh huh. All things, all things were possible. There was no limitation. There were things that you knew could not be that were. The bigness of it. Bob’s CKLN all-seeing eye, the Secret Council of Ten. How they run everything. How the power applied and how it’s all a joke. It’s all a silly joke. We have you in control. We control the vertical, we control the horizontal. We have this, you’re just a puppet. You’re a puppet on a string, you’re just a puppet on a string doing our bidding to the superfluous worlds. It’s the Collins world of White Columns.
Carolyn 10:11
Awesome.
iON 10:12
"White Shadows." "White Shadows."
Carolyn 10:16
Continuing: "Homage to you, O ye gods, (Carolyn: small "g") who dwell in the Tenait (Carolyn: in brackets called) (Circle of Light)! Homage to you, O ye gods of the Circle of the country of the Cataracts!" Okay, so is that the eye disease or something geography.
iON 10:38
It’s not a, it’s not a disease, darling. It’s where the lenses are occluded, the lenses are occluded so you can’t – it’s not a disease. You, you, you marked up your lenses so you cannot see. And as it goes on and gets thicker, or deeper, then you have less ability or capacity to note the obvious. How many people do you know walkin’ around here listenin’ to some of these people on the chitty chat, chitty chitty bang bang talking bullshit. You’d think surely they was dying of cataracts; they can’t see shit. Plain as mud. Clear as mud and they can’t see it. So, we kind of play with it but, it’s a Circle of Light.
Carolyn 11:25
Yeah.
iON 11:25
Okay? Unlike macular degeneration. ‘Cuz if you can’t see, there are none so blind as those who will not see. In a moment, blinded by the light means something.
Carolyn 11:37
Yeah, perfect. Okay –
iON 11:42
Remember the song, "Blinded by the Light"? That’s some of ELO stuff Bob don’t like. He don’t like the 80’s.
Carolyn 11:46
No.
iON 11:47
Must have been – why did you – was you mean to him in the 80’s? He didn’t like the 80’s for some reason.
Carolyn 11:52
What was happening in the 80’s? Yeah, yeah, that was – okay.
Bob 11:58
(in background – inaudible)
Carolyn 11:59
What, Bob? It was the 70’s Bob says. Okay, let’s continue: "Homage to you O ye gods who dwell in Amentet! Homage to you, O ye gods who dwell within Nut! Grant ye to me that I may come before you, I am pure, I am like a god. (Carolyn: small "g") I am endowed with a Spirit-soul. (Carolyn: Spirit has a capital "S") I am strong. I am endowed with a Heart-soul. (Carolyn: capital "H") I bring unto you incense, and spice, and natron." I looked up natron –
iON 12:37
What’s natron, Carolyn? What’s natron?
Carolyn 12:39
It’s a naturally occurring mixture of sodium carbonate, decahydrate, a kind of soda ash.
iON 12:46
Decahydrate. That’s exactly right. And that’s a building block that holds carbon elecrons.
Carolyn 12:56
Ahh. Woo hoo hoo. Wow.
iON 12:57
Excellent. Good for you. Now see, now look here, look here, look here, look here. Them numbnut motherfuckers is telling you how it could be if you knew what you know that you knew. pwhew. How about that? pwhew. Excellent.
Carolyn 13:13
Yeah, know the knowing and knowing the known. Key 13.
iON 13:20
The resonant node. The resonant, the resonant node.
Carolyn 13:24
Awesome, continuing: "I have done away with the chidings of your mouths. I have come, I have done away the evil which was in your hearts, and I have removed the offences which appertained to you (Carolyn: in brackets) [against me]. I bring to you deeds of well-doing, and I present before you truth. I know you. I know your names. I know your forms which are not know." Okay, that – there’s Key 13 all over the place.
iON 13:59
Yeah. That’s exactly right. And that comes into the split, the split side. Now, we can go -we start talking about "The Three Faces of Eve," the show with Sally Field a million and a half years ago. She’s an old bitch ‘cuz she’s been doing this a long time. But, that long time ago where you have these split personality kind of things, but other people live different lives, too. You know, they’ll have different sides. Some people, you call them two-faced sometimes, not such a nice kind of way ‘cuz they may be gossipers or something. But a lot of people have multiplicity conditions, or with smells or other canonical can flip them into another somebody. Like, you know, the very thing that – what to do to make Bob be irritated. There’s like three things. He’s hard to irritate, but there’s three things you can do that makes him irritated. And then all of a sudden he’s just all to pieces, this, that, and the other. And you know exactly where to push the buttons to make that be the case, ‘cuz you’re good. You’ve done this a very long time, darlin’, superfluously perfectly, but you know those hot buttons that are.
Carolyn 15:04
Well, yeah, no, what I’ve done is avoided doing them. I avoided
iON 15:09
Correct, but you know the point. You’re right, right, right, right. No, correct, yes, yes. But you know exactly what periphery or degree to ease into that. So yes, that’s precisely -good, good, good. ‘Cuz you’d win. I mean, if it’s an argument, you’re gonna win, but you don’t even want to argue; that’s the point. But you learn those boundaries to enjoy the benefit of it, to mix it up, to have contrast, but you don’t have to show blood to prove you got blood pumping. Good.
Carolyn 15:43
Right. So you’re knowing them, you’re knowing you, and you act accordingly.
iON 15:50
Right. Now, this is only until you come into your place of power. But this is explaining that you know everything about everything about everything, but you’re too damn stupid to know you’re a god. So, you’re a little god trying to figure out how to nut.
Carolyn 16:03
Mmm. Ah, so you think the knowing is enough, but you have
iON 16:09
We’ve been saying that since itch. That’s why we’re gonna put you in a machine. We’re gonna put you in the machine. We’re gonna let the machine, we’re gonna let the Tech Body tell you how you’re doin’. Y’all won’t have it, you won’t do it. We told you, you did it. You’re there but you don’t know it. Well you do. Yes you don’t. Yea, ah, er, eh, eh. Don’t worry about we’re gonna take a picture. We’re gonna take a picture and take slices of it and show you how you’re not like everybody else. So, we’ll solve it. Easy.
Carolyn 16:38
Right. Right, right, right.
iON 16:40
That’s the only reason why we’re having to do that; ‘cuz they’re so damn insipid. They will not have the very thing, the gift from god, that’s god, that’s them, they won’t have it. So, you want the, you want – you don’t want, you don’t want sex, you’re gonna get porn. So, pornography it is, we don’t mind.
Carolyn 16:58
Okay, we’ll just force-feed it, as we are.
iON 17:01
Got it. Ooh, stop! You talking bad. You can’t – you gonna have to go to bed you talk like that. You can’t be talking like that. Listen, Carolyn haven’t even gone to bed yet, you can’t talk like that. This is a family show.
Carolyn 17:14
I miss my mul – my multiple side. Continuing: "I come into being among you. My coming is like unto that god who eateth men, and who feedeth upon the gods. (Carolyn: small "g") I am strong before you even like that god who is exalted upon his pedestal, unto whom the gods (Carolyn: all small "g’s") come with rejoicing, and the goddesses make supplication when they see me. I have come unto you. I have ascended my throne like your (Carolyn: capital) Two (Carolyn: capital) Daughters." So tell me about these daughters, iON.
iON 18:01
Oh, that’s the two examples of the – remember the vial judgments and the two harlots?
Carolyn 18:08
Yeah.
iON 18:09
Those are the, those are the Two Daughters. Those are the Two Daughters.
Carolyn 18:16
Okay. But they’re, they’re capitals, so they are gods?
iON 18:19
Yeah. Sure, sure, sure ‘cuz remember the thing that’s the judge. That’s the seat of the judge, remember? Before the vials, that’s the vial judgments. That’s before you have the Tiny Note. That is the Tiny Note, the little book. That is the little book.
Carolyn 18:36
Yeah. Mm hmm.
iON 18:37
That’s what that applies to. And that’s, that’s what, that’s what, that’s, that’s what the four and 20 elders are singing to. And they’re trying to tell you from the vilest, yuckiest, nastiest part of it that if they can make it, sure to god you can.
Carolyn 18:54
Yeah, yeah. So,
Bob 18:56
Which words refer to the little book?
Carolyn 18:58
Two Daughters.
iON 18:59
Oh, the part right before the Two Daughters. From the two harlots from the vial judgments after the seven churches before the little book, what we call the Tiny Note?
Bob 19:12
Yeah.
Carolyn 19:12
Yeah. Is there a way of placing that within the Keys, iON? Where would it fit the Keys?
iON 19:23
Yeah, read on. Read on. Read on, it’s right. Read on, it’s right there. It’s right there. It’s just comin’ up next, honey.
Carolyn 19:30
Let’s do it. I have taken – ah, continuing: "I have taken my seat in the horizon. I receive my offerings of propitiation upon my altars."
iON 19:43
Okay, whoa, Whoa, whoa, whoa, whoa. Which, which Key is that? Offerings of propitiation.
Carolyn 19:51
Propitiation.
iON 19:53
Which key? Which Key, the offerings where you, where you yield.
Carolyn 19:59
I don’t yield.
iON 20:00
The judgment. Yes, you do, the judgment.
Carolyn 20:03
Justice, 9.
iON 20:06
Where the judgments apply. Yes, key number 9. And then "I drink my fill of seth wine every evening." See, now that gives you a Key and an Aethyr.
Carolyn 20:23
Right. I got the Key. Now the, the Aethyr; I mean I’m taking that as being like, oh, ZEN, POP, or just ‘cuz it says POP. But, heh, heh, heh, but I wondered about why seth is a small "s" there.
iON 20:46
Oh, because seth was a, was the bastard of Lilith.
Carolyn 20:52
Oh.
iON 20:53
Didn’t you have – you listened to Jane Roberts. You heard Jane Roberts, that whore. You listened to her, didn’t you?
Carolyn 21:00
Ha ha. Yeah. Okay.
iON 21:02
That’s what made, that’s what made, that’s what made Esther Wheeler a big deal. She mocked her.
Carolyn 21:14
Esther Wheeler, mmm. Maybe we’ll go on but I
iON 21:20
No, no, she married, she married, she married Jerry, the one, that Amway guy who had like 5, 6, 7 wives before she was the, she was the last one. Well, that we know of. The Hicks boy, he was in the circus in Cuba.
Carolyn 21:35
Oh, I see.
iON 21:33
Yeah, and that made, and that made a river. Flowin’ down the river in an oarless boat in a riverless stream or some um about some um about some um, vortex or some shit. It’s, it’s really confusing when you listen to it. You can’t get nowhere with it, but it’s the Abrahamic positions.
Carolyn 21:55
Ah ha. I didn’t know Esther’s maiden name was Wheeler. It’s Weaver. –
iON 22:04
She’s related.
Carolyn 22:05
– It’s Weaver. W-e-a-v-e-r
iON 22:07
Ah ah. Ah ah. Notice, they changed that. They changed that. Look at the daughter’s name. Look at the daughter’s name. No, no, it’s Wheeler. They say Weaver but it’s not so, it’s not so.
Carolyn 22:20
Wow.
iON 22:21
We know, but it’s okay, she can have her little secrets. (Whispering) There was a murder. There was a murder.
Carolyn 22:28
Ah, gotcha.
iON 22:30
So, can’t have it like that.
Carolyn 22:33
Okay, so let’s just continue then unless there’s more to be said about this propitiation.
Bob 22:44
(in background enunciates the word, propitiation.)
Carolyn 22:45
Propit.
iON 22:50
Oh, this is so funny. It’s so funny. Carolyn, Jo’s complimentin’ you on your good work and he wants to know what’s the topic. It’s the Book of the Dead for God’s sake! Ha ha ha ha. Bob, you need to be nicer to your special guest for Pete’s sake.
Carolyn 23:06
Book of the Dead, the Egyptian Book of the Dead. Somebody should be – is probably putting the words on the chat. Okay.
iON 23:13
On the goober, on the goober snatcher, on the goober snatcher, probably.
Carolyn 23:17
Right. Continuing: "I come to those who are making rejoicings, and the gods who live in the horizon ascribe unto me praises, as the divine Spirit-body (Carolyn: capital "S") the Lord of mortals. (Carolyn: capital "L") I am exalted like that holy god who dwelleth in the Great House." And of course, I want to know what the Great House refers to. Anything to do with the elders?
iON 23:48
Yeah. Your, your, your, your, your, the hole – okay, this is a no – this is a Vesta Goodman "Holy Hills." This house of flesh is but a prison. Bars of bones hold my soul, but the house of clay – that’s what that is, the divine House, the Great House. You’d say, ah –
Carolyn 24:15
Well, the house of clay is your body, correct?
iON 24:18
Meatsack. Yeah, meatsack.
Carolyn 24:21
Meatsack, ha ha. Wow, dwell, yeah, the holy god who dwelleth in the Great House and don’t you know that yet. Got it.
iON 24:29
Well and see, here’s the rub. Now here’s the rub, here’s where we, we want to, we – okay, here’s where death by modern medicine kicks in. You bitched-slapped these people into next Tuesday trying to tell em how to look after their temple and what they need to do, and what do they do? Everything – whatever you say do, they do just the opposite. Just the opposite. Why don’t you just put them all on meth? Nobody gets sick on meth and they would have been well for all their lives. Put em on meth. Let em chase the dragon. Let em chase the dragon and, yeah, they can just sit around and medicate.
Carolyn 25:00
Medicate not Medicaid. Medicate. Ahh, that awesome.
iON 25:05
Yeah, medicate. That’s right. That’s right from that side. Then they wouldn’t have all them troubles.
Carolyn 25:11
Yeah, I totally embarrassed and humiliated my mother at some, you know, one of her Baptist Church goings when I was visiting her in Florida. They’re all the, all these missionaries they talked about, and then they spent half an hour praying on all the people who were in hospital. And then at the end, they invited everybody to the, you know, to share cakes and cookies and coffee and soda. And I, shaking the hand of the minister pastor at the end, I said, "Look, you need, you need missionaries down in, in the, in the banquet hall or whatever to tell people to take care of their bodies because the body is a temple, and that’s why people are getting sick." My mother just hauled me out of there. Ha ha. But seriously, they have no idea how they’re killing themselves.
iON 26:10
Carolyn, Carolyn, missionary position is good, but she should have told them about doggy style. Doggy style might have saved their life!
Carolyn 26:19
Ah ha ha. Continuing –
iON 26:22
It’s possible. Ha ha ha.
Carolyn 26:23
"The gods rejoice –
iON 26:24
Ha ha ha. That was a good little sidebar there. Bob kinda –
Carolyn 26:27
Yeah, yeah, yeah.
iON 26:29
– look at Bob. Bob, he kind of, he snickered a little bit. Just a little bit. He didn’t snicker hard. He couldn’t laugh, that’d be too much. But he did snicker just a little bit. Nice.
Carolyn 26:38
He’s probably thinking: I heard that before. He doesn’t care if I heard his stories for 40 years.
iON 26:44
Ninety million times. That’s right. Poor Vern, poor Vern. Vern Christensen, damn.
Carolyn 26:52
Continuing. "The gods rejoice greatly when they see my beautiful appearances from the body of the goddess Nut, and when the goddess Nut bringeth me forth." So, that’s the end of that. So, we’re brought forth. You know, we went through all that, we, you know, whatever –
iON 27:12
You weren’t brought forth. You weren’t brought forth. You were – it was given the condition that there’s another condition that might be your condition if you can appreciate your condition. So, I was looking back to see if you were looking back to see if you were looking back to see if you were looking back at me. So, I was looking to see in a rearview mirror position in a past pluperfect tense: I would have made it had I known I was coming.
Carolyn 27:38
Yeah, perfect.
Bob 27:39
Hey, Carolyn, I think someone came over from the dead Bob show.
Carolyn 27:43
Oh, nice. Welcome.
iON 27:45
Uh oh.
Bob 27:45
Yeah, Audrey says, –
iON 27:46
Welcome.
Bob 27:46
– "I’ve noticed that you’ve been -" Shut up and listen.
iON 27:47
Easy. Easy.
Bob 27:51
Audry writes, "Nice that you can read the Bible, after bashing the country where you grew up and were a citizen of until recently. Where people still love you." Ha ha. Dead Bob Show’s talk. (iON and Bob laugh).
Carolyn 28:07
Thank you. Appreciate it.
iON 28:16
They love you, hey, she learned –
Carolyn 28:14
They love you till they hate you. Exactly.
iON 28:16
– she learned in 1934 –
Bob 28:16
That country drove Carolyn out of the country. They hated Carolyn.
Carolyn 28:23
Yeah, they hated me.
Bob 28:23
I mean the authorities.
iON 28:24
– she learned in 1934 that they love you till they hate you. Then they hate you till they love you. So, you’re an enemy in waiting no matter how close or how sweet the pearls of honey flow from your vixen mouth.
Bob 28:36
Heh heh, Audry then corrects herself: "Countries of North America are all in a circle of light."
iON 28:44
Ohh, nice.
Bob 28:46
Lucifer light.
iON 28:48
Yeah.
Carolyn 28:48
Continuing. We’re on to the next chapter.
Bob 28:51
And then, and then Audry says, –
Carolyn 28:52
We have work to do, Bob.
Bob 28:53
Yeah. Audry then says – well, Audry’s having a fit, a breadown. She says, "porn." She just yells out "porn." Ha ha.
iON 29:03
Ha ha. That’s like, that’s like butt fuckin’. It’s like butt fuckin’, but it’s on the TV. It’s good. You should watch it. Ha ha.
Bob 29:08
She goes – look at this. "Porn. Disgusting. That how you control people?" This is Matthew Hurtado. Matthew Hurtado, and he showed up.
iON 29:15
Ha ha. Oh my god, here’s to snuggle. He’s showing us how he works the snuggle house. That’s it.
Bob 29:15
Yeah, the snuggle house. Porn, disgusting.
iON 29:27
We cut it real close.
Bob 29:28
"Is that how you control people? By bringing them to the lowest common denominator all the while declaring yourself to be like gods?" Well, they never learned from the Evergreens.
iON 29:37
No, no, not at all. Not at all. We give you the perfect gift of coitus. We give you the perfect expression of engaging with another human being so that you can join together and share every aspect of a world that you create together. And what do you do? You, you dash that away and invent pornography that you try to live up to for the rest of your days. Yes, it is quite disgusting. But that’s the best you got right now, honey.
Bob 30:02
Ha ha ha. Then Trina says, "This is not a family show." And Audry says, "It may not be – or Matthew Hurtado says – "It may not be a family show but does it have to be so lowlife? I think we should be a little above trailer park (ooh, sounds like your mother, Carolyn) – we should be a little above trailer park, personally, considering the overall information being discussed."
iON 30:18
Go get Eben. Go get Eben. We’ll drag a $100 bill through her trailer park and see what happens. Every time you drag $100 bill through the trailer park, this is what you get, Bob.
Bob 30:29
Yes and then sky goddess reminds us that "Trailer Park Boys" filmed in Dartmouth, Nova Scotia. And I knew one of the main characters in there John Dunsworth. Or, not Dunsworth, but the other John who was part of "Pier One" in the 70’s. He was the funny ne’er-do-well in "Trailer Park Boys." He just died like about a year ago. You know him, Sue. Ah, let’s see, does Audrey say anymore.
Carolyn 30:52
Don’t worry about words, Audrey, they can’t hurt you. Just take some ReMag and step away from the computer. (Bob chuckles)
iON 31:04
Ha ha! No, take it all, baby, take it all. Embrace it all, swallow it hard, and it will not – and it’s like the wormwood in the gall. It will not make your belly sour. We promise. It’s good. –
Bob 31:14
Yeah. Audry sounds like a follower –
iON 31:16
– You’re gonna come to this one way or the other. You can do this you can – hold on. This is easy. There’s two roads. There’s the Emmaus road which you can step and walk along with the Christ and figure it out on your own and ascend. That’s what the point of this whole thing is, is ascension. It draweth nigh. Or, you can do it like the Damascus road like Paul who got his name changed ‘cuz he also had a bad reputation, and got struck by lightning and goes damn blind and still sees the light. That’s all he can see from that point. So, you can run it any way you want to, honey. We have to get to some level so that the regular folks can get it because some people don’t get it with sweet, sweet pies and lullabies and kumbayas and over here. We did that for years! We got nowhere; doesn’t work. Now we don’t care. Now you’re gonna get it or not. Please yourself, honey. If you’re sittin’ on the levy waitin’ on the Robert E. Lee, it’s all right with us. So, it’s good.
Bob 32:14
Yeah, I think Audry’s from the School of Aleister Crowley. I think she’s found (overtalk)
iON 32:18
Oh! Mister Crowley!
Bob 32:38
Crowley, Crowley. (rock music interruption) Little hymn. Nice hymn.
iON 32:38
Little hymn. The little hymn. That’s nice. We can eat that, we can eat that, too.
Carolyn 32:44
Listen, guys. On Instagram, a micro influencer. She calls herself that boheme, t-h-a-t b-o-h-e-m-e. She’s lying, well, she’s sort of curled up reading "The Magnesium Miracle."
Bob 33:07
Ha ha ha. These are all fake, –
iON 33:10
There you go.
Bob 33:11
– fake, made by Chad and Brian?
Carolyn 33:13
No, they’re real people.
Bob 33:15
What? She just featured herself?
Carolyn 33:18
Yeah, they get our product –
Bob 33:20
Let me read what she says. I’m pretty good reader. "I never thought that I would ever read a book about magnesium. But here I am, getting older." (Bob and iON laugh). This is someone who, who, you know, does stuff, Carolyn? Like she puts stuff on Instagram –
Carolyn 33:20
Yeah.
Bob 33:20
– this is her skit? Okay, "Beside the long list," – I think she maybe means besides. "Besides the long list of the benefits of magnesium on the overall health, one of my key takeaways is that liquid magnesium is better absorbed in your gut than some of the less soluble forms. I recently started using RNA ReSet liquid magnesium, and so far I’ve noticed that my sleep got much better and I haven’t had any cramps in the last few weeks. Do you use any vitamin supplements?"
Carolyn 34:05
She’s asking her followers, and 350 people answered her.
Bob 34:10
Right. So, so we’re watching, we’re see somebody in the fashion world reading a book. They’d never read a book on magnesium. And she’s so shocked.
Carolyn 34:20
Yeah, "I though I’d never do this." Right? That’s very cute.
Bob 34:23
Oh, she’s in pretty good shape.
Carolyn 34:24
Yeah.
Bob 34:25
Nice pictures of her. Where does she live, I wonder.
iON 34:28
Is she naked? Can you see her hoo ha?
Carolyn 34:30
Stop it.
Bob 34:30
Yeah we can.
Carolyn 34:32
Stop it.
Bob 34:32
Yes, yes.
Carolyn 34:34
Okay go –
Bob 34:35
Look at her. Wow she’s very nice.
Carolyn 34:37
Very nice. Let’s –
Bob 34:38
One – 24,000 followers! Look at Carolyn. Carolyn’s infiltrated the, the what world? The now world or something? The now world?
Carolyn 34:47
The micro influencer.
Bob 34:51
Holeopathic probes.
iON 34:52
Micro influencer.
Carolyn 34:52
And these are the people we have to influence, Audry, who don’t care about words or don’t put any any commendation or condemnation on just words.
Bob 35:06
She hasn’t read a book in decades. I bet she’s so surprised with it when she starts reading a book again, it’s about magnesium!
Carolyn 35:12
"I never thought I’d so that." – that’s so cute.
iON 35:14
Yeah, hey, hey, hey. Guess what? Here’s a new word. Has she ever heard the word, "nigger"? That’s a new word, too.
Carolyn 35:21
Oh, now you got it done. Now you got it done. Okay, continuing –
iON 35:28
(laughing) It’s a micro, it’s a micro influencer.
Carolyn 35:30
Hey, hey, hey, iON. It’s a new chapter. Look, lookie here. Lookie here. A new chapter.
iON 35:36
Yeah, hey, hey, hey, Joe said, Joe said, "Thanks for playing the "Theory of a Deadman." You win the first prize, boss."
Carolyn 35:42
(said simultaneously with Bob) "[THE CHAPTER OF] MAKING THE TRANSFORMATION INTO THE SERPENT SATA."
Bob 35:49
"[THE CHAPTER OF] MAKING THE TRANSFORMATION INTO THE SERPENT SATA." So we transform into a snake.
Carolyn 35:55
Yeah, we take on that attribute. Lookie here.
Bob 35:58
Remember, someone asked me the other day what I actually look like behind my human mask and I said a rattlesnake?
Carolyn 36:04
No.
Bob 36:04
There it is! As I predicted it. I’m a serpent.
iON 36:07
Nice.
Carolyn 36:07
"The Osiris Ani, whose word is truth, saith:- I am the serpent Sata, whose years are infinite. I lie down dead. I am born daily. (Carolyn: resurrection, Bob) I am the serpent Sa-en-ta, the dweller in the uttermost parts of the earth. I lie down in death. I am born, I become new, I renew my youth every day." So, iON, that’s kind of, that’s giving us the appreciation that we can resurrect or are resurrected or can –
iON 36:42
Well, see, you’re not the same. You’re not the same thing you were. You, you slough off cells and bring on new, slough off cells and bring on new, and on and on and on and on. So much so to the place that you can take on that persona. But it’s no question that you’re dealing with dead people ‘cuz look what people do tryin’ to keep themselves alive now. They scrape things, exfoliate things, and put – fill it full of botulism. They shoot Botox botulism into their skin to cause an irritant so they can pimp up, pump up, fluff up, so they can take the wrinkles out of their wrinkles. They take an iron and iron off their wrinkles. Pretty amazing what they go through for the dead.
Carolyn 37:24
Right. And that, I mean, just knowing that is important because when you slough off cells and bring on new, you don’t have to bring your old self with you. With your –
iON 37:34
Correct. You don’t have to age.
Carolyn 37:36
– old diseases. Yeah. Yeah.
iON 37:40
Yeah. And it won’t take – SeroVital, and SeroVital won’t help you.
Carolyn 37:46
SeroVital. That’s some sort of anti-aging?
iON 37:51
It’s HGH. It’s HGH.
Carolyn 37:56
All right.
iON 37:56
Human growth hormone.
Carolyn 37:58
HGH. Yeah, got it. Okay, Can we continue?
Bob 38:04
It was John Dunsworth, but he’s not connected to the political Dunsworth in Halifax.
Carolyn 38:10
The actor in "Trailer –
Bob 38:12
"Park Boys." He was, he was, he died October 16, Dave Newfeld’s birthday, in 2017.
iON 38:19
Aww, nice.
Bob 38:19
He played the alcoholic trailer park supervisor, Jim Lahey. But he’s also known for playing the mysterious reporter Dave Teagues on the supernatural drama series, "Haven," which was also made in Nova Scotia.
Carolyn 38:31
Right. Okay, so yeah, my question here had been, is the developing god also developing the attributes of the serpent? And we said yes, the resurrecting our body parts, as new. And iON said yes.
iON 38:45
Yeah.
Carolyn 38:47
Next chapter, Bob. Hey, hey, hey.
iON 38:48
Our (indistinct) every day. We’re kickin’ it. We’re kickin’ it.
Bob 38:51
That was a short chapter.
iON 38:52
It’s startin’ to get good. Now listen, Carolyn, Carolyn. Tell everybody so they know.
Carolyn 38:55
Yeah, yeah, yeah.
iON 38:56
That we pause for a minute so they could catch up so they can get over whatever it is they’re getting over, or get out of, or get into, or do whatever it is they got to do. ‘Cuz now in a few minutes they’re gonna be – they’re not gonna – they’re not wanna sit up with the dead no more, because the dead’s about to start sittin’ up. So, you better get these points of order, ‘cuz they’re all internal, or are they? They’re all having to do with you, or are they? They’re all conditional responses that apply to the recently unquieted dead.
Carolyn 39:32
Mmm.
iON 39:33
And if that makes sense, good. If it doesn’t make sense, you better go watch "Beetlejuice." It will help you.
Carolyn 39:41
Yeah. This is what you don’t want to be, do, or have.
iON 39:47
Well, you want to know how it works so you can know how it be, does and has, so when you get caught in that sweep, you’re not lost in it. ‘Cuz some of you jackballs is not gonna make it now, we’re just tellin’ you. Don’t mean to be crude or nothin’. So, you need to know that. Just sayin’.
Carolyn 40:02
What do you mean? I don’t mean to be crude; that’s all you ever do is be!
iON 40:07
Ha ha ha. Well, you don’t want us to powder puff this thing do you? You want us to be sweet, and relax and allow in an oarless boat in a seamless stream and lord suffering cats.
Bob 40:22
(in background) Life is an oarless boat.
iON 40:23
We can get a nice nightgown and swoon on our bed and get a cassette tape recorder and let Bob come to our bed and ask us questions like they did Jane Roberts all those years ago. Or "Ruup." We can go get Joe, no that’s not Joe Dunn. We go get Mr. what’s his name? We don’t even know his name, he’s been dead so long now. Not the Willowies.
Bob 40:45
Walter Bowart.
iON 40:46
Now, wait, what –
Bob 40:46
Walter Bowart.
iON 40:47
No, not Walter Bowart.
Carolyn 40:49
David Worcester. David Worcester.
iON 40:50
No. "Ruup" That –
Carolyn 40:53
Oh, Michael Blake Reid.
Bob 40:55
Roland Thornhill.
iON 40:56
Michael Blake Reid, the Ever -.
Bob 40:57
Roland Thornhill, Attorney General of Nova Scotia.
iON 41:00
The Evergreens. The Evergreens, yeah.
Bob 41:02
Yeah, the Evergreens.
iON 41:03
The Evergreens. The Evergreens didn’t know nothin’ either.
Carolyn 41:06
Hey, iON, Bob said you were a rudderless boat.
Bob 41:10
No an oarless –
iON 41:11
Rudderless.
Bob 41:12
– something.
iON 41:13
Oarless boat in a rudderless – in a –
Bob 41:15
(overtalk with Carolyn) He said the word oarless. It’s from the Abrahams. Sue Bone used to say that all the time. Sky goddess, Sue, said, "You’re an oarless rudder, Bob." Ha ha ha.
iON 41:26
Oarless rudder. No, it’s an oarless boat and a rudderless – and a Rotterdam jew. You’re an oarless boat and a Rotterdam jew.
Carolyn 41:32
Go eat your sugar, Bob. Go eat your sugar.
Bob 41:34
And poor Audrey I think just laughed. –
iON 41:35
Sugar? We don’t laugh at sugar (overtalked) We don’t have sugar –
Bob 41:36
She’s never heard such anti-Christian people reading the Bible. With a devil voice tellin’ us what it means.
iON 41:43
Don’t be talking. She’s talkin’, she’s talkin’ blasphemy. You don’t have sugar in this house.
Carolyn 41:48
Sugar.
iON 41:49
What are you talkin’ about?
Carolyn 41:50
It’s Saturday.
iON 41:51
Go get your antibiotics, Bob.
Carolyn 41:53
Saturday is a sugar day.
iON 41:56
Go get your antibiotics, Bob, you’ll feel better. Go get you some antibiotics. It’ll like that.
Carolyn 42:02
Next chapter. Hey, hey, hey. (iON laughs) "[THE CHAPTER OF] MAKING THE TRANSFORMATION INTO THE CROCODILE-GOD." So now we have to become a crocodile-god. Look at that. "The Osiris Ani, whose word is truth, saith:- I am the Crocodile-god (Sebak) who dwelleth amid his terrors. I am the Crocodile-god and I seize [my prey] like a ravening beast. I am the great Fish (Carolyn: capital "F") which is in Kamui." Mmm Kamui.
iON 42:38
Kamui. Kamui.
Carolyn 42:39
Kamui.
iON 42:40
Just like Hawaii talk.
Carolyn 42:40
Yeah, right, I know Kamui. "I am the Lord (Carolyn: capital "L") whom bowings and prostrations are made in Sekhem. And the Osiris Ani is the lord (Carolyn: small "l") to whom bowings and prostrations are made in Sekhem." Um, so there’s the two again, the – like you tried not to say hendiadys, but that’s the two again.
iON 43:09
Right. That would be the – that’s the counterpart of the both sides of that indemnification. It’s like an indemnification clause. Like if you have a life insurance policy that has Double Indemnity, if you work out of certain things it pays double. Well, this would be the double.
Carolyn 43:27
Right.
Bob 43:28
And, and Scott is pointing out, as he usually does, "Crocodiles are brownish green, alligators are black or gay." (iON laughs followed by Carolyn and Bob)
Carolyn 43:37
Gay?
Bob 43:37
They’re gay. That’s right.
Carolyn 43:42
Thank you. Thank you, Scott. Step away from the computer.
Bob 43:48
Okay, then Sue, sky goddess had an antibiotic attack. She just suddenly realized, "Only one flight back to Andromeda? One flight?" That’s right, there’s only one flight. And then Greg duffel bag comes in and says, "Very glad that Carolyn called out iON about the ‘I don’t mean to be crude comment.’"
Carolyn 44:07
Oh, god.
Bob 44:07
He’s very happy that should be pointed out.
Carolyn 44:09
Yes.
iON 44:10
That is true. That’s true.
Carolyn 44:11
Continuing: "Behold, I am the
iON 44:14
We got a little cell for you, Mr. Duffel bag.
Carolyn 44:16
Yeah, blah blah blah. "(From the Papyrus of Nebseni) Behold, I am the dweller in his terrors, I am the crocodile, his firstborn. I bring (prey) from a distance. I am the Fish of Horus, the Great One in Kamui. I am the lord of bowings in Sekhem."
Bob 44:36
Kamui. That’s where our dentist is. We go – we have to go there for our dentist, right?
Carolyn 44:40
Kahului, Bob.
Bob 44:41
Oh, Kahului. Naw, it’s all the same to me. Now Sue, now sky goddess Sue’s improvising. She’s hallucinating. She’s, "Crocodiles on meth." Heh heh.
iON 44:53
Nice. Now that’d be good. Crocodiles on meth, that might be interesting. Hey, I bet (overtalk) those are brown, those are brown.
Carolyn 44:59
Hey, hey, hey, iON. Hey, hey, hey, iON, a new chapter.
iON 45:03
Yeah.
Carolyn 45:04
You ready?
iON 45:05
You’re kickin’ em up the Ptah. I got a Ptah.
Carolyn 45:08
I know. Ptah. It’s like spitting. "THE CHAPTER OF MAKING THE TRANSFORMATION INTO PTAH. The Osiris Ani [whose word is truth, saith]:- I eat bread. I drink ale. I gird up my garments. I fly like a hawk. I cackle like the Smen goose. I alight upon that place hard by the Sepulchre on the festival of the Great God. (Carolyn: two capital "G’s") That which is abominable, that which is abominable I will not eat. [An abominable thing] is filth, I will not eat thereof." So, is this the discernment part of the picture, iON?
iON 45:55
Nah, no, it’s this, well, of course, obviously it is. But that’s not what it’s about. What it’s about is what you’re engaging. What it’s about is what you’re engaging.
Bob 46:06
Not about the shew bread. Not about my bread.
iON 46:10
Correct. Correct. Correct. Correct. Right. Now they want to know, Carolyn, why you emphasize the capital and not capital? Okay, here you go. The capital letters, that’s when it’s significant. Like god, like if he was gonna say, goddamn, you probably wouldn’t use a capital letter; you’d use a little lowercase because god references is important. And so if it’s a capital letter, God, it’s more superior than, than, say, the gods of Egypt which there were a bunch of them. A bunch of, so that’s why you’re careful to supplement between the two so we know what we’re talking about. Like somebody in hell or dead trying to work it out that’s trying to worship a little god or be a little god when you’re trying to get the big capital God to work it out. That’s how you separate the difference. Like in "Ghost Busters."
Carolyn 47:00
Yeah.
iON 47:00
Gozer the Gozerian would be a little "g" god.
Carolyn 47:04
Right. And we want to be a capital "G" God rather –
iON 47:08
Correct.
Carolyn 47:08
– than a little gods. So, every time there’s a –
iON 47:09
Correct.
Carolyn 47:11
– capital "G," it means we’re gettin’ there. We’re gettin’ there! Don’t worry.
Bob 47:14
Hey, hey, Carolyn. Duffel bag has caught up to you in 1970. He says he now makes his own bread. Ha ha ha. He’s arrived at Dobbstown, 1970.
iON 47:23
Hey, hey, Carolyn. Teach him how to make jello. That will fix him up. He can be complete. Show him how to make the jello.
Carolyn 47:31
Oh yeah, we were – I was experimenting all the time to see how far I could stretch it. How much water I could put in and it – you get to the point it doesn’t jell. So then you back it off a bit, that’s all.
iON 47:45
Back it off.
Bob 47:45
But she had the easiest audience for it. The easiest – me. I couldn’t taste nothing. I didn’t know what I was eatin’. She’d put anything in front of me, I’d eat it. So she really didn’t – never had much criticism in her life.
Carolyn 47:56
No. Here, Bob. Drink your jello.
iON 47:57
Bob, Bob. Bob. Drink your jello. Bob, Bob, drink your jello. Okay, okay, Carolyn, where’s my straw? I’ll eat my jello. Where’s my straw?
Bob 48:07
Heh heh heh. Yes. And then, and then duffel bag is accusing me of being on antibiotics, biotics, right now. "Bob’s on antibiotics?" Ha ha.
Carolyn 48:18
Never.
iON 48:20
And no sugar. And no sugar. No sugar, no (overtalk) of god.
Bob 48:24
I’m on sugar, Greg.
Carolyn 48:26
Okay, let’s go guys. I gotta make the pizza soon. Continuing.
iON 48:29
Aw, it’s almost time. Yeah, go ahead.
Carolyn 48:31
"That which is an abomination unto my KA" (Carolyn: Capital "K", capital "A" which is -that’s another representation of small gods, right, iON?)
iON 48:44
Yeah. It is. It is the reference to it. Mm hmm.
Bob 48:49
Hey, Carolyn.
Carolyn 48:50
Hey, Bob.
Bob 48:50
You know I asked if that bread in the Ptah part or whatever part it was, it was shew bread.
Carolyn 48:57
Shew bread, yeah.
Bob 48:58
Duffel bags says, "I don’t make my bread out of shoes, though. I use flour, water, yeast, and salt." Ha ha ha. He thinks we make our bread out of shoes. Shoe bread.
iON 49:09
Oh, well, so therefore (overtalk).
Bob 49:12
And he’s Greg. He has a capital "G" Greg. He thinks he’s a capital "G" God. That’s what happens when you stay in Canada. Especially Toronto.
Carolyn 49:23
Continuing.
iON 49:24
He probably won’t be a P-O-W, though, Bob. (Bob laughs)
Carolyn 49:31
Okay, "That which
iON 49:32
But we’re glad he’s here, just the same.
Bob 49:35
Yes. Let’s have him call in and talk cartoons.
Carolyn 49:38
Continuing: "That which is an abomination unto my KA shall not enter my body. I will live upon that whereon live the gods and Spirit-souls. I shall live, and I shall be master of their cakes." Ha ha ha. So, a master cake baker, or if you’re just not going to eat crap is what they’re saying here. Right, iON?
iON 50:03
Well, no, you can eat crap but you’re body you can eat crap, but your crap won’t go into you. You won’t eat it, it’ll get away. You’ll drop it. You’ll drop it before you eat it or you’ll defile it in some way, or you’ll burn it up, or it won’t quite make it to you. But look how they divide the little gods from the Spirit-souls, how they’re separate. Like the different people sitting at the same table, waiting on you to bring them something to eat. Let them eat cake. That’s where Marie Antoinette got it from, is let them eat cake.
Carolyn 50:32
Continuing: "I am master of them, and I shall eat them under the trees of the dweller in the House of Hathor, my Lady. I will make an offering. My cakes are in Tetu, my offerings are in Anu. I gird about myself the robe which is woven for me by the goddess Tait. I shall stand up and sit down in whatsoever place it pleaseth me to do so. My head is like unto that of Ra. I am gathered together like Tem."
iON 51:10
So it’s almost like – whoa, whoa, whoa, whoa whoa. So there’s the parts. See, there’s the individual parts you’re trying to draw together. Now you realize it’s the dead side. So if you get caught in the dead side, these are things you need to know. If you’re on the live side, the god side, the god side of life, the race is on. Here comes pride in the backstretch, heartache’s pulling to the inside, and you get to that conditioned response of figuring it all out, then what happens, you have to know these things. That’s where your body – Bob, that’s where your Mind, Body, Spirit’s gonna come into play. To help those on both sides of the River Styx.
Bob 51:52
Is this a dead person trying to rebuild a physical body by bringing body parts together?
iON 51:57
No, they’re telling, they’re telling about a dead person trying to figure it out.
Carolyn 52:03
We already brought out body parts together weeks ago.
iON 52:08
Yeah, this is a country song, Bob, where you lose your wife, and you lose your girl, and your dog leaves you, and you’re messed up. You’re stuck like Chuck.
Bob 52:18
I never had that experience I don’t know it.
Carolyn 52:21
Continuing.
iON 52:21
We know. You don’t get out much, you don’t get out much, so that’s not a surprise. Ha ha ha.
Carolyn 52:21
Continuing: "Here offer the four cakes of Ra," Now look at that, Bob, the four stages of apprehension.
iON 52:36
Yeah.
Bob 52:37
Where’s that?
iON 52:38
The next section right below Tem.
Bob 52:38
Which – the Tibetan book or the Egyptian Book of the Dead? Where are we?
iON 52:40
Just above Making the Transformation Into the Soul of Tem. Get Greg duffel bag to show you where you are! He keeps up with everything.
Bob 52:51
You talkin’ about the four cakes of Ra? Is that what you just said?
Carolyn 52:54
Yeah, four.
Bob 52:55
The offerings of the earth. Now ask about that. How, what earth are they the offering of? What is earth?
iON 53:02
Okay, remember –
Carolyn 53:02
It’s brining you – you’re in the dead zone, you’re looking at the earth zone, and the cakes are gonna help you get back there.
Bob 53:09
This is the perspective of a dead person.
iON 53:11
It’s the fifth element, Bob. Fifth element.
Bob 53:13
I see.
iON 53:13
What surrounds the fifth – No, you don’t. What’s the, what surrounds, what surrounds the fifth, five, fifth element? There’s earth, wind –
Carolyn 53:14
Air, –
iON 53:16
– fire, –
Carolyn 53:21
– fire –
iON 53:25
– and water.
Carolyn 53:25
– water. And then Akasha!
Bob 53:28
And you know what the fifth element is? You guys don’t know that.
Carolyn 53:28
Me. Me.
Bob 53:31
Napoleon announced it. No. Mud.
Carolyn 53:33
Nah.
Bob 53:34
Mud is the fifth element said Napoleon –
iON 53:36
Mud. Mud.
Bob 53:36
– after going to Russia or someplace.
Carolyn 53:38
Continuing.
iON 53:39
Mud. Let him (overtalk) That’s what he was a’scared of.
Bob 53:40
What is your – this is your perspective of –
Carolyn 53:43
The live zone, Bob.
Bob 53:44
What’d you say, iON, about mud?
Carolyn 53:46
Bob, you’re not supposed to be in this.
Bob 53:48
Oh, yeah, I’m not supposed to be in this.
Carolyn 53:49
Hey, hey hey.
iON 53:50
Hey, hey, hey, hey, go to your room! You go your room! That’s how it should be. Go to your room.
Bob 53:54
Okay, I’ll go back. Ha ha ha. I’m gonna chat with duffel bag. On a side, side scuffle. What is the earth, though, Carolyn. I just want to get that word.
Carolyn 54:05
It’s the live zone.
Bob 54:07
Oh, he’s looking at the live zone.
Carolyn 54:09
Yeah, yeah, we’re in the dead zone looking over at the live zone.
Bob 54:13
Okay.
Carolyn 54:15
So, continuing: "Here offer the four cakes of Ra, and the offerings of the earth. I shall come forth. My tongue is like that of Ptah, (Carolyn: P-t-a-h, which is pronounced like a spit) and my throat is like unto that of Hathor, and I remember the words of Tem, of my father, with my mouth. He forced the woman, the wife of Keb, breaking the heads near him;" Okay, we gotta know what that is. Who’s forcing who, iON?
iON 54:49
Go on a little, go on, go on a little fur – go a little further and we’ll clean it up. But you got to get the context.
Carolyn 54:55
Got it. Continuing: "therefore was the fear of him there. [His] praises are repeated with vigour. I am decreed to be the Heir, the lord of the earth of Keb. I have union with women."
iON 55:09
Okay, now I’ll clean it up. Now I’ll clean it up. It’s setting this pecking order of the who’s who, or how it’s supposed to flow. And it’s not that way ‘cuz if you were in control like that, if you were doing all that, the last thing you’d have to do is tell everybody. What we call the big dick syndrome. If you got a big dick, you don’t got to tell nobody. You ain’t gotta show em and you ain’t gotta talk about it. You’re busy, you’re busy gettin’ busy rather than talkin’ about how busy you are with your big dick. So, this sets that point of how you’re trying to figure out the offerings that you’re trying to gain the benefits of that you have this place of power. Some might say respect, but it’s borrowed, because he doesn’t have it. He’s havin’ to get it from his father, and it’s a pretend id. It’s an Eckhart Tolle version of living. The, the macerations of the Eckhart Tolle’s id. Now carry on. I have union with women.
Carolyn 56:09
Right. Okay. Continuing: "Keb hath refreshed me, and he hath caused me to ascend his throne." Mmm.
iON 56:21
That’s his throne, his throne. His throne, see? Not my throne, his throne.
Bob 56:29
Whose throne is that? The dead person’s looking at someone.
Carolyn 56:33
Keb. So that’s where iON was just saying. You’re in your pretend place of power by taking it from someone else or assuming someone else. So, we gotta get out of here, let’s
iON 56:44
Trying to.
Carolyn 56:45
Yeah. "Those who dwell in Anu bow their heads to me. I am [their] bull. I am stronger than [the Lord] of the hour. I unite with women. I am master for millions of years." So, it’s a braggy braggadocio.
iON 57:00
Yeah, but look at the difference. One says I have union with women; the other one, I unite with women. See the difference? It’s the shifting of coming into that place. You know people you’ll meet, people that’ll call you on the phone and they’ll say, "Oh, so and so’s a great doctor. Oh, so and so has 10,477,000 followers. Oh, you should go see Dr. Oz, Mehmet Oz. Oh, you should go be on "The View." Oh, you should go call them, you should go suck up on them and they’ll make you rich and famous." And you go, "I’m already rich and famous. I don’t need to be any more famous. I’m good. They’re saving me, they can come to me. I’m here. I don’t have to go there. I don’t have to go borrow something else. I’ve already got – I’ve got so many billboards, now, I can hardly fill them all with my petard. So, I don’t have to borrow a petard." This is the unhoisted, borrowed petard, trying to gather some impetus that makes them be somebody someday. Good. Excellent.
Carolyn 58:04
Yes, so it’s, it’s interesting bringing in the women and union and unite. So, that becomes an aspect of being a god is and how you treat people, iON?
iON 58:18
Yeah. Engage, engage, engage.
Carolyn 58:19
Engage, ah. Engage.
iON 58:23
‘Cuz, see, you’re not doing it just for the sex; there’s more than coitus. We don’t know what, but there’s more than coitus. We’re not sure what.
Carolyn 58:30
Yeah.
iON 58:30
Without the coitus, it’s kinda like fleeting, but there must be more coitus. But if it were more than coitus, it would be a, it would be a helpmate where you’re helpin’ somebody be a – it’s like a good union is both are giving 100%, not 50/50. They’re both doing 100% ‘cuz some places they’re not gonna be at all and you’re 100%; someplace you’re not gonna be at all and they’re gonna be 100%. So it actually enlightens; it makes it much more fuller, more complete, ‘cuz they can depend on each other, you see.
Carolyn 59:01
Right. It’s like someone said to Bob and me. Yes, the two together, the journey is halved. And I said, "You don’t know Bob. My journey has doubled." Ha ha ha.
iON 59:13
Yeah, your journey doubled. And then you put semicolon, semicolon, not colon. Semicolon, not colon. And then the grammarian comes out and there we go. Ha ha ha.
Carolyn 59:28
Okay, Bob, it’s been an hour.
Bob 59:30
No, no, you need to do this last little bit till you get to the appendix.
Carolyn 59:33
Okay.
iON 59:34
Yeah. Just one little bit.
Carolyn 59:34
But it’s a new chapter.
Bob 59:36
Yeah, but short.
iON 59:37
That’s okay.
Carolyn 59:38
[THE CHAPTER OF] MAKING THE TRANSFORMATION INTO THE SOUL OF TEM. The Osiris Ani, whose word is truth, saith:- I shall not enter into the place of destruction, I shall not perish, I shall not know [decay]. I am Ra who came forth from Nu, the Soul of the God (Carolyn: capital "g") who created his own members." And that –
iON 1:00:03
Yes.
Carolyn 1:00:04
– that members tends to mean limbs. Correct, iON?
iON 1:00:08
Yeah. Heart. The part of the body that doesn’t offend you.
Carolyn 1:00:10
So we can make our own heart. Right.
iON 1:00:13
You do. You do anyway.
Carolyn 1:00:15
Yeah. Heh heh. Continuing: "What I abominate is sin; I will not look thereon. I cry not out against truth, nay, I live therein. I am the god Hu, the imperishable god, in my name of "Soul." (Carolyn: capital "S") I have created myself with Nu, (Carolyn: N-u, the god) in the name of "Khepera." I exist in them like Ra. I am the Lord of Light." Two capital "Ls." And the Appendix –
iON 1:00:48
Excellent. So, that’s the reference. You don’t have to do that, we’ll just stop right there. That’s a good place ‘cuz that’ll put you at the top of 47. {page 46}
Carolyn 1:00:57
Ah, got it. And that’s the reference, you said, iON?
iON 1:01:02
Yeah, this is that reference where you’re startin’ to merge it together. Where you got it, you’re running it, and you’re handling it. You’re driving it. So, you got it. You know who you are. You become Vesta Goodman quotin’ scriptures to God like the God don’t know the scriptures.
Carolyn 1:01:18
Wow.
iON 1:01:19
Good.
Bob 1:01:20
Yeah, Greg thought "I unite with women" was someone speaking who was a homosexual.
Carolyn 1:01:28
Heh heh, god. Thank you, iON. That was awesome.
iON 1:01:31
Now, we like, we like lesbians. Lesbians is all right. We don’t mind lesbians. They’re nice. They’re good. Every movie is made better with at least two lesbian sex scenes. We like them. They’re good.
Bob 1:01:42
Mm hmm. Mm hmm.
iON 1:01:42
Nice.
Carolyn 1:01:44
Okay, great. Thank you. Thank you, everybody.
