What Youth?, Partial Transcript, 1800 hour, 15 August 2023

TBob 16:35
Hello, everybody. I want to play you something. This is from August 12th, so, the last Payday on Saturday, 2100 hours, and at 41:58. So, listen to this: [recording begins]

Bob 16:59
The movements of subatomic particles or molecules, those are people moving; they’re interchangeable. Different forms going through the archetypal movement, which lead to archetypal interplay laws of effect. So that’s why, you know, Joyce could have in “Finnegans Wake” people miming sexual positions or chemical bonding, or electronic movements, or natural movements in nature; they’re mirroring each other. They don’t look like each other, but they’re echoing. But there’s no connection, but there’s parallels, and that’s the vision you should have of what’s going on.

Chad 17:49
The movement of…

Bob 17:50
That’s how you would visualize it.

Chad 17:52
Yeah. Okay. There’s a lot of mirroring going on, just like the Milky Way is mirroring the flat Earth.

Bob 18:00
Right. So, at some point the poles flip, so then it alters the movements, which alters the body chemistry, which alters the body protons.

Chad 18:14
Okay.

Bob 18:02
So, it’s simple.

Chad 18:20
Yeah, it’s interesting how all that came out of the Revelations recordings, how all those seeds, like the changing environment and the changing meatsack, they’re all in there. They all just got teased out.

Bob 18:32
Yeah.

iON 18:33
And then that moves you to that Inner Kingdom. The Inner Kingdom, it brings you to the Marriage Supper of the Lamb. Pretty clever.

Bob 18:33
Yeah, when you talk about Kingdom, Kingdom and Empire, you’ve got your three Kingdoms. That’s what you work with to make your Kingdom: the Inner, the Outer, and the Middle.

Chad 18:57
Right.

Bob 18:57
And their directional movements is what you’re saying will master the surfing of that, the interplay.

Chad 19:11
Very cool, Bob.

iON 19:14
Oh, you’re talkin’ about Queen Mary again, aren’t you, Bob?

Bob 19:18
Which one is that? Is that about 1800?

iON 19:23
No, no. A little bit before. A little after. The grandmother.

Bob 19:27
After. Oh yeah, yeah, the one before Queen Mom and all that, the… Queen Victoria’s mother.

iON 19:36
Very good. Very good.

Bob 19:42
So, when they were doing the waltzes, or even before the waltz, those courtly dances Louis XIV had, were they trying to do something like OA movements?

iON 19:53
Yeah.

Bob 19:59
There’s a good one for you, Bert. That’ll set you back. That’ll be more pain for Bert. [Bert chuckles]

iON 20:03
If you want to make it worse, if you want to make it worse, that’s also what the Virginia Reel was about, and what square dancing represented. When they “called,” they “called” it, to “call” a dosey doe, promenade, spin your partner round and round. Like that.

Bob 20:39
Yeah.

Chad 20:41
And is that like the Sufis as well? The Sufis that spin, are they like that too?

iON 20:47
Something like that. But you gotta be careful because you gotta be careful because AI will beat you to death because they don’t need you. Before, they had to have you.

Bob 21:01
So, that’s what the Levites were doing; they were dancers.

iON 21:07
Mm-hm. Right.

Bob 21:08
So, they come out of the Koathanites. They had the movements from Andromeda.

iON 21:13
Yes. Agreed.

Bob 21:16
Bert, Bert needs to go to the hospital now. [Bob, Bert chuckle] Wake Rosanna up. Get Bert back to the hospital. [Bob, Bert chuckle] Bert takes it hard.

iON 21:17
Thanks, mom.

Bob 21:39
Yeah. You know that line, “when you’re laughin’, you’re learnin'”? Well, in Bert case, when he’s aching, he’s learning. [Bob, Bert chuckle]

iON 21:53
When he’s catatonic, he’s livable.

Bob 21:59
That was… See, there’s black exploitation, Bert. They’d make the blacks in high school go into these stupid sports, right? It’s a fuckin’ modern form of slavery.

Bert 22:09
That’s one way of looking at it. I would agree with that.

Bob 22:13
Yeah.

Bert 22:13
Looking at it now, yes.

Bob 22:14
Then they end up crippled guys, you know, after five years professional.

Bert 22:22
[chuckles] Or they could be crippled and then become a news announcer talking about their sport. You know, kinda like the news…

Bob 22:27
Yeah, and spread the charisma to get more kids into it.

Bert 22:33
[chuckles] Yeah.

Bob 22:33
That’s shaping people. We’re talking about the Android Meme shapes people with surrealistic, crazy scenarios –

Bert 22:28
Yes, exactly.

Bob 22:30
—but sport is more of a kinetic version of that.

Bert 22:43
Mm-hm. Exactly.

iON 22:54
Bob Carr’s sick.

Bob 22:56
Is he sick? Did you say he’s sick?

iON 23:03
Yes. [recording ends]

Bob 23:07
Okay, so a key point there is that went from 41:58 to 48:01 of the 2100 hour of August 12th; that’s a very important section. And at 43:31 iON says, “Then that moves you to that Inner Kingdom that brings you to the Marriage Supper of the Lamb.” And of course, we found out that the Marriage Supper of the Lamb is the three new amino acids. So, when I talk about… well, when iON talks about Kingdom versus Empire, Kingdom is more inner, your private citadel, your godhead; that’s not involved with social mortar. Empire is involved with social mortar. So, this proved this statement: “The amino acids activate your Inner Kingdom, the Kingdom part of yourself, not the Empire.” It might eventually get involved with the Empire, but I thought that was pretty amazing that it moves you to that Inner Kingdom that brings you to the Marriage Supper of the Lamb, which is the three amino acids. So, I thought that was a good lesson, so I played it, and now we have to hear iON’s judgment. What does iON have to say about all this now?

iON 24:32
Well, hell’s bells, what the hell are we doin’ here? This ain’t a work night. What’s up? We’re here to play? Is it a playdate, Bobby?

Bob 24:42
Oh, work is play. There’s no… what’s the difference? [chuckles]

iON 24:46
Ahhh. Oh, well, now we’re negotiating. Now we’re negotiating, eh? Alright, we talk about Empire…

Announcer 24:53
All participants are now unmuted.

iON 24:57
… how close or far are you to “it.” What is “it”? Is it your ecstasy? Maybe your agony, or maybe your capacity for agony or ecstasy? See, now we’re negotiating. A Lamborghini, to get 50,000 miles out of a Lamborghini, it’s hot; it runs hot. But you can take a Nissan or a Datsun B210– and they don’t make those anymore — you can go 700,000 miles, but not very aggressively. You see, it’s the long haul or the fast stroll is what you’re talkin’ about, and that’s all we got to say about that. That’s not what this show is about, though.

Bob 25:42
Right. I wanted to say… so, Alissa, we were talking about the Inner Kingdom versus the — well, the Kingdom versus the Empire. That was a pretty good find there. What do you think?

Alissa 25:53
Yeah, and Germain brought that up, too, in the last Payday connection about… and iON, you had fun with the preposition. It’s like are you “in it” or “about it.”

iON 26:08
Correct.

Alissa 26:09
Did you mean “about it” in terms of like, you’re “around it”?

iON 26:10
Aboard, above, across, after, amid, along…

Alissa 26:14
Right.

iON 26:20
You know, the prepositions. Beverly, –

Alissa 26:23
Yeah.

iON 26:23
—the reason, you can’t get any sound, you gotta turn your shit up. Beverly! Turn your shit up. Oh, wait, if she can’t hear, how would she know that? Mmm, that’s interesting. I can’t hear. I can’t hear you. You type that, –

Alissa 26:37
Call in, Beverly!

iON 26:37
—and we tell her how to hear us, and she can’t hear how to hear us. There you go. That’s the distance between “it” and “it”. You can’t hear what you don’t hear. You hear that? You heard me? Oh, Eugene is…

Bob 26:57
Don’t get distracted by incompetence.

iON 27:00
That is not incompetence, that’s an example of what we’re talkin’ about. There are none so deaf as those that won’t listen. [chuckles]

Bob 27:08
[chuckles] And I’ve experienced that the most: “Hand Signals for the Blind.”

iON 27:14
Correct.

Bob 27:15
I’ve decided everybody is — well, a long time ago — is deaf.

iON 27:21
Yes. Huh? Huh?

Bob 27:24
Yeah. You. You. No comment.

iON 27:29
You! You! That’s what it is. Okay, good.ranscribed by Nan

  1. Bob 19:42
    So, when they were doing the waltzes, or even before the waltz, those courtly dances Louis XIV had, were they trying to do something like OA movements?

    iON 19:53
    Yeah.

    Bob 21:08
    So, they come out of the Koathanites. They had the movements from Andromeda.

    iON 21:13
    Yes. Agreed.

    During one of my sessions with iON … iON reminded me about the time I was practicing the OA movements and suddenly found myself in the kitchen, wondering how I got there🤔

    I asked iON if the OA movements always “were” and they said “yes”.

    Ah~ha … the OA movements originated back home, in Andromeda!?

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